Contemporary art across the evolving global peripheries
by Frantisek Zachoval · Published
ARTMargins Print is pleased to announce the publication of the Volume 12, Issue 2.
Art History, Postcolonialism, and the Global Turn — by Joshua I. Cohen, Foad Torshizi, Vazira Zamindar
26 Jun, 2023
Color Charts — by Bani Abidi
20 Jun, 2023
Counting Quality, Seeing Patterns — by Ijlal Muzaffar
20 Jun, 2023
This Past Must Address Its Future: Uses of African Noncontemporaneity in Contemporary Art from the French Borderscape — by Jennifer Bajorek
20 Jun, 2023
What Does Art History Have to Say About a Lebanese Sasquatch? The Body of Decolonial Struggle in Amanda Boulos’s Art — by Tammer S. El-Sheikh
20 Jun, 2023
Southern Lights: Octavio Paz’s “Glimpses of India” and the Art of Relation — by Sonal Khullar
20 Jun, 2023
Introduction to “Art, Signs, and Cultures” (1977) — by Joshua I. Cohen
20 Jun, 2023
Art, Signs, and Cultures: Iba Ndiaye and Jean Laude in Conversation with Roger Pillaudin — by Iba Ndiaye, Jean Laude, Joshua I. Cohen
20 Jun, 2023
Ch’ixi Epistemology and The Potosí Principle in the 21st Century — by Alexander Alberro
20 Jun, 2023
On the Aspirations of Architecture and Design in 20th-Century South Asia — by Vishal Khandelwal
20 Jun, 2023
Erratum: The Persistence of Primitivism and The Debt Collectors — by Editors
15 Jun, 2023
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