Category: News

SHERA Roundtable on “Digitalization in Art History,” featuring ARTMargins Online: March 24, 12:00pm EDT

SHERA’s Spring 2026 roundtable on “Digitalization in Art History” was dedicated to exploring digital tools for research, online archives, and virtual environments for museum collections. The speakers will address their essential work in using digital tools in art history, including the creation of the Reader in East-Central-European Modernism 1918–1956 at The Courtauld, the development of the online Norton Dodge Collection at the Zimmerli Museum, and the leadership of the virtual outlet of ARTMargins Online. The roundtable participants will also discuss future opportunities for digitalization and its transformative potential for art history.

Speakers: Klara Kemp-Welch, Beata Hock, Raino Isto, … Read more

What’s in the Margins? Art and the Periphery: Online Workshop by the New ARTMargins Online Advisory Working Collective  

The first workshop organized by the newly founded ARTMargins Online Working Advisory Collective  took place on December 6, 2025 and focused on contemporary art practices or curatorial models and their relationship with the margins. Workshop participants analyzed marginality broadly in aesthetic, political, economic, and institutional terms. Avoiding conventional “center/periphery” models, the Worskhop viewed the the margins not simply in geographic terms but as a dynamic and relational concept that may as such refer to social, political, linguistic, textual, or economic peripheries, as well as to modes of self-positioning that challenge hegemonic orders. “Art on the periphery” may refer to art … Read more

Call for Papers: “Instruction and the Didactic Impulse in Postwar Art from Eastern Europe”

Conference at the Institute for Multidisciplinary Research in the Arts, National University of the Arts, Iasi, in collaboration with the Graduate Center for Literary Research, University of California Santa Barbara. Date: 11-12 June, 2026.

Organized by Cristian Nae (George Enescu National University of the Arts, Iasi) and Sven Spieker (UC Santa Barbara)

In this two-day conference we are interested in instances of instruction and what we call a “didactic impulse”—understood as instruction that aims for dialogue and conversation rather than indoctrination—in postwar and contemporary Eastern European art. Instruction and the didactic have been productive, if unacknowledged

… Read more

“Street Art Narratives: Community, Demonstration, and Solidarity” Symposium at the Wende Museum of the Cold War

Street Art Narratives: Community, Demonstration, and Solidarity
Sunday, September 14, from 12-2pm
The Wende Museum of the Cold War, 10808 Culver Blvd, Culver City, CA 90230

This mini-symposium focuses on the intersections of art-power-politics — from Los Angeles to Eastern Europe, with a focus on Ukraine. Artists and scholars from these regions, all greatly affected by authoritarian-leaning governments and war-mongers, come together to discuss how the ‘street’ responds to external pressure by calling for resistance, humor, beauty, satire, parody, pride, and direct action. Six speakers give brief presentations from their fields of study and practice, followed by two panels on … Read more

Letters from Albania: The Manifesto Collective on Art, Politics, and Trust: Discussion at the Jackman Humanities Institute

On September 18, the Jackman Humanities Institute at the University of Toronto will host a discussion panel on the experience of the MANIFESTO of the DebatikCenter of Contemporary Art (D.C.C.A.)—a collective of artists, filmmakers, curators, poets, hacker-activists, and scholars that has reimagined art and collectivity through three multidisciplinary projects held between 2022 and 2025. Join MANIFESTO members—renowned Albanian artist Armando Lulaj and art historian/curator Raino Isto (editor-in-chief of ARTMargins Online)—for an interdisciplinary conversation on how contemporary art can build trust amid neoliberal erosion, digital surveillance, forced migration, and the rise of populism.

Time: Thursday, September 18, 2025 3:00 pm … Read more

“Friendship: Writing Art Histories in Relation”: ARTMargins Workshop at UC Berkeley

“Friendship: Writing Art Histories in Relation”: ARTMargins Workshop at UC Berkeley, November 7, 2025

This ARTMargins Workshop focuses on the notion and practice of “friendship” and related questions about elective affinity and difference in contexts of anti-colonial struggle, decolonization, and ambivalent participation in global circulation. To invoke “friends” in a global art history can be to emphasize the intersubjective dependencies of artists, to trace art worlds of material and immaterial support. It may also identify peer-to-peer connections and practices of mutual aid, as in Cold War histories of friendship societies and artist exchanges between nations—proto-political relations operating outside official state … Read more

ARTMargins Online Celebrates 25 Years!

ARTMargins Online (AMO) published its first article on January 15, 1999, an interview with art critic and theorist Boris Groys by AMO founding editor Sven Spieker. Since then we’ve published nearly a thousand essays, reviews, interviews, podcasts, and critical texts exploring postwar and contemporary art from East Central Europe in a global context. 

Throughout this year, we’ll be reflecting on these 25 years by inviting our authors to delve into the AMO archive to explore perspectives that can illuminate our present, and by organizing conversations involving artists, critics, curators, and researchers from Eastern Europe and beyond to reflect on the … Read more

Conclusion of the Project “Archives of the Future” at Muzeum sztuki in Łódż

Muzeum sztuki in Łódż announces the successful conclusion of its project “Archives of the Future,” which was carried out in cooperation between Muzeum sztuki; Artpool Art Research Center Budapest; the Museum of Fine Arts – Central European Research Institute for Art History (Budapest); and the Polish Institute in Budapest. The project started in spring 2024 with two study visits to Łódź and Budapest. The aim of the first part of the project was to become familiar with the Artpool archive, which was founded by György Galántai and Julia Klaniczay in 1979, and the Poetry Bureau, established by Andrzej Partum in
… Read more

Call for Papers: “Trading Zones: Art and Philosophy in Eastern Europe since 1945”

This  trans-disciplinary workshop (June 2025, details below) will investigate the trading zone between artistic and aesthetic practice and philosophical ideas in Central and Eastern Europe. We are interested in artists from the region who are engaged in a critical dialogue with philosophy and philosophical ideas (both from Eastern Europe and beyond), and whose work possesses transformative experiential, intellectual and political potential. We are equally interested in philosophers and theorists from the region whose thinking engages or addresses art. We view the relationship between art and philosophy as a productive form of synergy rather than as an instance of appropriation, static … Read more

Flag of Ukraine

Resources for Artists and Scholars Forced to Flee Ukraine

In support of artists, scholars, and all people forced to flee Ukraine because of the Russian invasion of the country, the editorial collective of ARTMargins Online is compiling a growing list of resources (primarily art- and research-related), including residencies, fellowships,  internships, and emergency funds. We will continue to update this list as we become aware of new opportunities and resources. Please let us know of additional resources by contacting us through this online form.

For Scholars

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Call for Papers: ESPRit Conference, Budapest

Periodicals Beyond Hierarchies: Challenging Geopolitical and Social “Centers” and “Peripheries” Through the Press

The European Society for Periodical Research (ESPRit) convenes its 2022 (10th) international conference for the first time in East-Central Europe, in Budapest, Hungary, to focus on the following theme: Periodicals Beyond Hierarchies: Challenging Geopolitical and Social “Centers” and “Peripheries” Through the Press.

The conference will reflect on the way in which periodicals as essential forums of the public sphere challenge, transform, or interpret the notion of “centers” and “peripheries” in a context of permanently shifting and historically unstable situations. Papers may investigate these questions, in … Read more

Call for Papers: Beyond Friendships. Regional Cultural Transfer in the Art of the ‘70s

In May 2022, Artpool Art Research Center, Budapest, and the Central European Research Institute for Art History (KEMKI) is organizing a conference designed to investigate the concept of cultural transfer and its relevance for the transnational art histories of Central-East Europe.

Following the pathway of horizontal art history set by Piotr Piotrowski, our conference will suggest a definition of Central-East European art based on actual contacts, dialogues, and reciprocal affects between the art practitioners of the region. In 20th-century Eastern Europe, cultural relationships were the result of historical events, waves of emigration, and the migration or relocation of minority communities, … Read more

Call for Papers: The Global GDR–A Trans-Cultural History of Art (1949-1990)

Time/Place of the Conference: February 24-26, 2022, Technical University, Dresden (TU Dresden). The international and interdisciplinary conference “The Global GDR – A Transcultural History of Art (1949-1990)” is dedicated to a chapter in the history of art in Eastern Europe that has received little attention up until now, the manifold connections, in the field of art, between the GDR and socialist countries outside of the Eastern Bloc, in Africa, Asia and Latin America. These relations manifested themselves in artists’ trips and in reciprocal study visits; in exhibitions of East German art abroad as well as of non-European art in the … Read more

7th International Forum for Doctoral Candidates in East European Art History, May 6-7, 2021

The Institut für Kunst- und Bildgeschichte at Humboldt University  will host the 7th International Forum for Doctoral Candidates in East European Art History on May 6 and 7, 2021. The forum serves as a platform for exchange amongst junior researchers who focus on Eastern European art.

The yearly meetings offer a space for exchange regarding methodological and practical problems surrounding various dissertation projects, as well as an opportunity to network with one’s peer group.

The 2021 Forum will focus on the close interconnection between the Eastern European cultural sphere and the rest of the world, as well as its … Read more

Special Issue on Art and Race in Contemporary Eastern and Central Europe: Call for Contributions

ARTMargins Online is currently seeking submissions for a special issue on the intersection of art and race in contemporary Eastern and Central Europe. The issue will bring together artists, critics, and scholars whose work significantly engages with power structures and aesthetic paradigms that shape and are shaped by discourses on race, with an emphasis on postwar and contemporary practices. As right-wing populism and xenophobic policies rise across Europe and the globe, it is becoming all the more urgent to understand how artists working in the 20th and 21st centuries have approached race and its representation, racialized patterns of … Read more

ARTMargins Online’s New Editor-in-Chief

We are very pleased to announce that AMO has a new editor-in-chief, Raino Isto. Raino is interim Arts-in-Education Director at Umpqua Valley Arts Association in Oregon. In the winter and spring of 2022, they will be a postdoctoral researcher at the Institute for Cultural Anthropology and Art Studies (IAKSA) in Tirana. Raino received their PhD in 2019 from the University of Maryland, College Park, where their dissertation focused on the political valences of monumental sculpture in socialist and post socialist Southeastern Europe. Raino’s research has been published in Third Text, the Journal of Contemporary Chinese Art, Science Fiction … Read more

20/20

“20/20” is a list of some of the most accessed articles, reviews, and interviews ARTMargins Online has published over these 20 years. Apart from giving readers and researchers a sense of what was most in demand, we also aimed at a cross section of the many writers, curators, and artists from a variety of countries and regions we have been fortunate to publish over the years. Among the brightest and most influential of these—Svetlana Boym and Piotr Piotrowski—are sadly no longer with us, and we repost their texts as a tribute to their legacy and lasting impact. These 20 texts … Read more