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NEW: ARTMargins Print 11:3
ARTMargins Print: Vol 11, Issue 3
More Phemes — by Slavs and Tatars
1 Oct, 2022
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization — by Matthew J. Mason
1 Oct, 2022
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art — by Lara Ayad
1 Oct, 2022
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–96 — by Dorota Jagoda Michalska
1 Oct, 2022
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War — by Alberto Toscano
1 Oct, 2022
Introduction: Art’s Histories Without Art History — by Kaira Marie Cabañas
1 Oct, 2022
From the Editors — by The Editors
1 Oct, 2022
The Silence That Words Hold — by Lula Wanderley
1 Oct, 2022
Lend Me Your Eyes — by Gina Ferreira
1 Oct, 2022
The Persistence of Primitivism and the Debt Collectors — by Elizabeth Harney
1 Oct, 2022
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Recent Online Articles & Reviews
- “This is What the Current Government in Russia Would Like to Ban”: Interview with Vladimir Paperny 05/08/2023
- Exchange of Ideologies: Ninotchka, 1939 — Circus, 1936 05/07/2023
- Globalizing the Avant-Garde 05/05/2023
- Revolutionary Romances: Into the Cold – Alternative Artistic Trajectories into (Post-) Communist Europe 04/08/2023
- Monumental Cares: Sites of History and Contemporary Art 03/11/2023