Our Artist Editions series makes original artworks available for purchase at competitive prices to support ARTMargins editorial operations and special projects. For details about the works on sale and prices please see the individual artists’ pages. For more information and to order, please write to us at artmargins@gmail.com.
Below are available works from our original editions series. Quantities are limited, so order now!
Gábor Ösz
The House: Project Document (2009), 4-color postcard. Signed and numbered.
“Each project is a different challenge and demands new solutions. I study the locations carefully. I have established a work method, with which it often takes years to reach the desired effect. The circumstances of creation become as inevitable a part of the picture as any error or fault."
Ilya & Emilia Kabakov (Rabbits)
[Untitled, Ships] (1993-1994). Signed and numbered print.
"The prints were initially created to be part of another of our albums. A father decides to buy a coloring book as a present for his son. He goes to a store, buys the book and brings it home. The mother opens the package and suddenly she discovers that there are ‘bad words’ behind every drawing."
Ilya & Emilia Kabakov (Ships)
[Untitled, Ships] (1993-1994). Signed and numbered print.
"The prints were initially created to be part of another of our albums. A father decides to buy a coloring book as a present for his son. He goes to a store, buys the book and brings it home. The mother opens the package and suddenly she discovers that there are ‘bad words’ behind every drawing."
Svetlana Boym
Signed and numbered digital prints.
"I pulled each picture manually out of the printer, its loud protestations notwithstanding. The rhythm of withdrawal is unrepeatable and so is each print. This procedure goes against both the printer’s instruction manual and the mass reproduction of the photographic images."
Dimitri Kozyrev
Cutting Edge #1 (2007) Original drawing.
Dimitri Kozyrev’s various bodies of work can be described as an attempt to understand and manage change. To capture it. Hold or compress change into a single visual moment so it can be remembered.
Yevgeniy Fiks
Communist Tour of MoMA (An Introduction) (2010)
“For the past fifty years, the Museum of Modern Art has been separating artists from their politics and in so doing sanitizing the history of Modern Art. Communist Tour of MoMA connects the history of Modern Art to the history of the 20th-century Communist movement. The project is based on research conducted at the Museum of Modern Art archives in New York, focusing on Modern artists from the MoMA collection whose careers overlapped with the trajectory of the Communist Party.”
