Search ARTMargins
NEW: ARTMargins Print 13:2
ARTMargins Print is pleased to announce the publication of the Volume 13, Issue 2. A recurring idea in the current issue is difference and contradiction. While art historiography has often treated artistic styles and movements as integrated and consistent wholes, with bookended beginnings and closures, and treated artists as equally stable authorial voices rooted in their respective dispositions, art practice for the most part is marked by contradiction rather than consistency, challenging us to capture the dynamism that contradiction and difference produce in art.
- Socialism in Contemporary African Art: Butchering the End of Time
- “We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson’s Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media
- Make Me a Picture of the Future: Massinissa Selmani’s 1000 Socialist Villages (2015)
- The Mythography of Socialism in Contemporary Angolan Art
- The Politics and Aesthetics of Liberation: Revolution and Its Aftermath in Contemporary Artistic Practice from and about Lusophone Africa 1
- Abstract States: Modernism in Lebanon, Syria, and Turkey
- As the Nile Flows or the Camel Walks
- Introduction to “Cultural Offensive of the Working Classes”
- Cultural Offensive of the Working Classes
Call for Submissions
We welcome your submissions for ARTMargins Online and Print
Sign up for the AMO newsletter
Recent Online Articles & Reviews
- Approximating Borders: Artistic Research in Practice 09/30/2024
- 25th Anniversary Reflections: From Biopolitics to Necropolitics: A Look Back at Marina Gržinić’s Interview with Maja and Reuben Fowkes, 2012 09/16/2024
- Grafting Solidarities – From the Factories to the Fields 09/11/2024
- 25th Anniversary Reflections: Roundtable “Arts Publishing in Eastern Europe in Times of Crisis” (ARTMargins Online Editors), 2022 09/03/2024
- 25th Anniversary Reflections: Roundtable “Central and East European Art and Culture, 1945-Present” (ed. Susan Snodgrass), 2001 08/25/2024