Category: Volume 5 Issue 3

“Umetnost, družba/tekst” was an editorial published in the Slovenian journal Problemi-Razprave (Problems-Debates) in 1975. The journal was the central outlet of the so-called Slovenian Lacanian school and as such the most important place for the reception of French anti-humanist philosophy in the former Yugoslavia. The concept of the journal was based on interpreting French post-structuralism in the spirit of the Tel Quel magazine, anti-humanist Marxism in the spirit of Louis Althusser, theoretical psychoanalysis in the spirit of Jacques Lacan and his followers, as well as on a special blend of Lacanian psychoanalysis and Althusserian ideology critique, which characterised the French … Read more

What links the existing international surrealist movement—a network of groups who publish their essays and collective experiments in an array of print and online periodicals—to the 20th-century Surrealism of art history textbooks is, to a large extent, its periodical publishing practices. This article pays particular attention to the periodical rubric (defined as a heading or category under which a certain kind of text or image serially appears) and contextualizes its surrealist use within a broader poetics of “objectivation.” In Surrealism, objectivation is the creation of a “thing,” which is to say a form of doing or thinking that acquires a … Read more

The Introduction to the Special Issue: entitled Art Periodicals, Historically Considered sketches an outline of the advent of periodicals in the context of the Enlightenment demand for the public use of reason, and situates the emergence of art periodicals in the context of the advent of autonomous art since the 19th century. The article introduces the contributions to the Special Issue: and opens up a way to reposition the question of critique in today’s art publishing.

This essay explores the role of art periodicals in art worlds past and present. It examines the histories of Artforum and October within the context of the North American art world of the 1960s and 1970, and contextualizes these publications within a larger field of publishing practices, including self-published Salon pamphlets, little magazines, and artists’ periodicals. It explores how the distribution form of the periodical affects the politics of art criticism, and considers how art magazines have served as sites of critical publicity, mediating publics and counterpublics within the art world. It also reflects on the role of magazines and … Read more

“Umetnost, družba/tekst” was an editorial published in the Slovenian journal Problemi-Razprave (Problems-Debates) in 1975. The journal was the central outlet of the so-called Slovenian Lacanian school and as such the most important place for the reception of French anti-humanist philosophy in the former Yugoslavia. The concept of the journal was based on interpreting French post-structuralism in the spirit of the Tel Quel magazine, anti-humanist Marxism in the spirit of Louis Althusser, theoretical psychoanalysis in the spirit of Jacques Lacan and his followers, as well as on a special blend of Lacanian psychoanalysis and Althusserian ideology critique, which characterised the French … Read more

This introduction and selection of Questions and Answers are from a conference organized in 2014 at the American University of Beirut Art Galleries titled Critical Machines: Art Periodicals Today. The conference summoned editors of art periodicals from different countries in order to discuss the role of art magazines, journals, platforms, and newspapers. While the introduction provides a general report on the conference, discussing the principles according to which the panels were organized or describing and comparing the missions of some periodicals, the selection of questions from the audience and answers from editors that follow aim to convey different editorial strategies, … Read more

Lotus was a tri-lingual quarterly brought out by the Afro-Asian Writers’ Association. Initially titled Afro-Asian Writings, its inaugural edition was launched from Cairo in March 1968, in Arabic and English, followed by the French. By 1971, the trilingual quarterly acquired the name Lotus. Egypt, the Soviet Union, and the German Democratic Republic funded its production. The Arabic edition was printed in Cairo, and the English and French editions were printed in the German Democratic Republic. The Afro-Asian Writers’ Association (AAWA) and its over-arching affiliate, the Afro-Asian People’s Solidarity Organization (AAPSO), both had headquarters in Cairo. In 1978, President Anwar Sadat … Read more