Decolonization, Heritage, And Problems of Forgetting
As art historians and curators have attempted to foreground African artists in the name of decolonization, there has been a certain forgetfulness of previous postcolonial attempts to reckon with colonial knowledge production. Questions around the relationship between political decolonization, postcolonialism, decoloniality, and current demands to decolonize have come to the fore in recent years. Nugent addresses these concerns as they relate to African art through two studies: Pierre-Philippe Fraiture’s Past Imperfect: Time and African Decolonization 1945–1960 and Ferdinand de Jong’s Decolonizing Heritage: Time to Repair in Senegal. Both books intervene in such instances of forgetting by looking to the past to challenge many of the constructs and assumptions around African art that continue to be taken for granted today. They invite us to consider alternate ways of imaging art and history through the dialogue between modern African intellectuals and European scholars.
ARTMargins, Volume 13, Issue 3, pp. 97-108.
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