Volume 11, Issue 3

More Phemes
Slavs and Tatars
A reading of Hurufism, a Sufi movement based on the science and mysticism of letters, the authors consider a range of affective, performative becomings in...
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization
Matthew J. Mason
In recent decades, the popularity of Australian Aboriginal dot painting overseas has exploded, with works by some of Australia's leading artists selling for millions of...
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art
Lara Ayad
On January 18, 1938 the Fuad I Agricultural Museum in Cairo opened its palatial doors to the local public and featured four untitled portraits (1934–1937)...
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–96
Dorota Jagoda Michalska
Roman Stańczak's artistic practice can be seen as a symptomatic expression of the multi-layered processes of degradation as experienced in some Polish regions with the...
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War
Alberto Toscano
This essay considers a range of artistic and intellectual responses to the Algerian War of Independence that foregrounded the problem of extreme violence. It homes...
Introduction: Art’s Histories Without Art History
Kaira Marie Cabañas
The introductory text situates the therapeutic practices of Gina Ferreira and Lula Wanderley in relation to the work of Brazilian modernist artist Lygia Clark. Ferreira...
From the Editors
The Editors
The struggle for freedom does not give back to the national culture its former value and shapes; this struggle which aims at a fundamentally different...
The Silence That Words Hold
Lula Wanderley
The introductory text situates the therapeutic practices of Gina Ferreira and Lula Wanderley in relation to the work of Brazilian modernist artist Lygia Clark. Ferreira...
Lend Me Your Eyes
Gina Ferreira
The introductory text situates the therapeutic practices of Gina Ferreira and Lula Wanderley in relation to the work of Brazilian modernist artist Lygia Clark. Ferreira...
The Persistence of Primitivism and the Debt Collectors
Elizabeth Harney
As the discipline of Art History increasingly aims to decolonize the gaze, questions have become paramount around cross-cultural influence and indebtedness, the traffic and translation...
Retraction of Holmes, Ros. 2018. “Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly.” Artmargins 7 (1): 31–57
Editors
Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly,” published in ARTMargins Volume 7, Issue 1, (https://doi.org/10.1162/ARTM_a_00199) has been retracted...