The Art Museum (Muzeum sztuki) in Lódż announces the successful conclusion of its project “Archives of the Future,” which was carried out in cooperation between Muzeum sztuki; Artpool Art Research Center Budapest; the Museum of Fine Arts – Central European Research Institute for Art History (Budapest); and the Polish Institute in Budapest. The project started in spring 2024 with two study visits to Łódź and Budapest. The aim of the first part of the project was to become familiar with the Artpool archive, which was founded by György Galántai and Julia Klaniczay in 1979, and the Poetry Bureau, established by Andrzej Partum in 1971 in Warsaw and transferred to Muzeum sztuki in 2019. Both archives are dedicated to mail art and artists networks of the 1970s and ‘80s. The study visits provided participants with an opportunity to compare both archives and to analyze the themes, geography, and chronologies of their materials, resulting in a joint exhibition at Platan Gallery in Budapest on November 5-7, 2024. The visits and exhibition are designed as impulses for further independent research in the archives, and as a response to György Galántai’s challenge to create an “active archive” by actively continuing to the collected material. Please see here for interviews with organizers and artists, including the founders of Artpool.
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NEW: ARTMargins Print 13:2
ARTMargins Print is pleased to announce the publication of the Volume 13, Issue 2. A recurring idea in the current issue is difference and contradiction. While art historiography has often treated artistic styles and movements as integrated and consistent wholes, with bookended beginnings and closures, and treated artists as equally stable authorial voices rooted in their respective dispositions, art practice for the most part is marked by contradiction rather than consistency, challenging us to capture the dynamism that contradiction and difference produce in art.
- Socialism in Contemporary African Art: Butchering the End of Time
- “We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson’s Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media
- Make Me a Picture of the Future: Massinissa Selmani’s 1000 Socialist Villages (2015)
- The Mythography of Socialism in Contemporary Angolan Art
- The Politics and Aesthetics of Liberation: Revolution and Its Aftermath in Contemporary Artistic Practice from and about Lusophone Africa 1
- Abstract States: Modernism in Lebanon, Syria, and Turkey
- As the Nile Flows or the Camel Walks
- Introduction to “Cultural Offensive of the Working Classes”
- Cultural Offensive of the Working Classes
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Recent Online Articles & Reviews
- On the Growing Distance Between the Two Sides of the River Elbe: Ana Lupaș Exhibition at the Stedelijk Museum and the Western Nostalgia for the Eastern Myth 12/21/2024
- Conclusion of the Project “Archives of the Future” at the Art Museum in Lódż 12/21/2024
- 25th Anniversary Reflections: The Paradox of Artistic Labor: An Interview with Katja Praznik, by Jasna Jasna Žmak, 2017 12/13/2024
- Snapshot Dialogue: Svitlana Biedarieva (Mexico City) and Lesia Khomenko (Kyiv) 12/12/2024
- Call for Papers: “Trading Zones: Art and Philosophy in Eastern Europe since 1945” 12/10/2024