Category: Interviews

Interview with Elena Filipovic

Elena Filipovic is Senior Curator at WIELS Contemporary Art Centre, Brussels. ARTMargins Online spoke to Filipovic about her exhibition Alina Szapocznikow: Sculpture Undone, 1955–1972, which opened at WIELS Contemporary Art Centre in Brussels and traveled to the Hammer Museum, LA; MoMA, NY; and the Wexner Center for the Arts, OH.

ARTMargins Online: What prompted you to organize an Alina Szapocznikow retrospective when you did? What aspects of the artist’s work did you feel essential to reveal to Western audiences? What is the importance of Szapocznikow’s work at this particular historical, cultural moment?

Elena Filipovic: I had been following Alina Szapocznikow’s work for … Read more

Interview with Matei Bejenaru

Matei Bejenaru is a visual artist who lives and works in Iasi, Romania. He teaches photography and video art at “George Enescu” University of Arts. He is founding member of Vector Association in Iasi and director of the Periferic Contemporary Art Biennial (1997-2008). He has participated in several group exhibitions, including those at Level 2 Gallery, Tate Modern, London (2007) and the Taipei Biennial (2008). Between November 2010 and July 2011, his experimental project for choral music Songs for a better future was shown at The Drawing Room and Tate Modern (Turbine Hall) in London, at Western Front in Vancouver, … Read more

Solidarity, Representation and the Question of Testimony in Artistic Practices: An Interview with Suzana Milevska

Suzana Milevska is an art and visual culture theorist and curator based in Skopje, Macedonia. Her research and curatorial interests include postcolonial critique of hegemonic power in art, complex relationships between gender theory and feminism(s) in art practices, and socially engaged and participatory projects. She holds a Ph.D. in Visual Cultures from Goldsmiths College in London, where she taught from 2003 to 2005. She was the Director of the Center for Visual and Cultural Research at the Euro-Balkan Institute in Skopje (2006 to 2008), and taught History and Theory of Art at the Faculty of Fine Arts in Skopje (2010 Read more

Interview with Irena Knezevic

Irena Knezevic (born Serbia, 1982) is an artist who works in various media, including prints, ceramics, sculpture, video, music, and architecture. Her work often addresses issues related to the political and cultural history of her native Serbia. She was a student organizer who helped organize protests against Slobodan Milosevic’s government before moving to Chicago in 2000, where she studied at Columbia College, the University of Chicago, and the University of Illinois at Chicago (MFA, 2007). Knezevic is currently an assistant professor at the Sam Fox School of Design and Visual Arts at Washington University in St. Louis and researches at … Read more

Joanna Malinowska in Conversation with Magdalena Moskalewicz

Polish-born, Brooklyn-based visual artist Joanna Malinowska works mainly in sculpture, video, and performance art. Her projects are often inspired by interest in cultural anthropology and cultural clashes – she traveled to the American Far North to make a video documentary on Jimmy Ekho aka Arctic Elvis – an Inuit folk singer and Elvis Presley impersonator. In one of her early video explorations, Malinowska impersonated a stereotypical Polish cleaning lady and cleaned apartments of New York intellectuals in exchange for private lessons in philosophy. Malinowska’s work has been presented in many solo and group exhibitions in the United States and Europe, … Read more

Interview with Bjorn Geldhof (PinchukArtCentre, Kyiv)

Since he began working at the PinchukArtCentre  in 2009, artistic manager and curator Bjorn Geldhof’s curatorial intelligence has caught the attention of local artists and viewers. As curator of the past few annual Future Generation Art Prize exhibitions (as well as the solo shows of Candice Breitz, Damian Ortega, Olafur Eliasson, Jeff Wall, Gary Hume and Anish Kapoor, among others), Geldhof has played an important role in shaping the institution’s mode of mediating the encounter between artworks by both international and Ukrainian artists and the PAC’s vast audience. The PinchukArtCentre remains Ukraine’s most visited institution devoted exclusively to contemporary art, … Read more

From Biopolitics to Necropolitics: Marina Gržinić in conversation with Maja and Reuben Fowkes

Marina Grzinic is a philosopher, artist and theoretician, and a research director at the Institute of Philosophy at the Scientific and Research Center of the Slovenian Academy of Science and Art in Ljubljana, Slovenia. She is also a professor at the Academy of Fine Arts Vienna, Institute of Fine Arts, Conceptual Art, in Austria. Grzinic was in Budapest recently to give a lecture A Passion for History in the Depoliticized and Castrated European Union Regime, as part of the Ludwig Museum’s lecture series, Theoretical and Critical Problems of the Margins Today. Maja and Reuben Fowkes met with her to discuss … Read more

Provincializing the West: Interview with Piotr Piotrowski

Piotr Piotrowski teaches at Adam Mickiewitz University, Pozna?. As a professor of art history, he has served as a mentor for a new generation of art historians seeking fresh, critical approaches to the historical and contemporary art of the region. He was the director of the National Museum in Warsaw (2009-2010). He is the author of In the Shadow of Yalta: Art and the Avant-garde in Eastern Europe, 1945-1989 (Reaktion, 2009), and Art and Democracy in Post-Communist Europe (Reaktion, 2012). He received the Igor Zabel international award in 2010. This interview was conducted by Edit András on the occasion of … Read more

Theoretical and Critical Problems of the Margins Today

Lecture series at the Ludwig Museum – Museum of Contemporary Art, Budapest, April 2012 & February 2013

How can the margins be viewed in art, in the new world order, after the fall of the Berlin Wall and the new era of globalization, when the cultural canons seem to have disappeared, when there is no longer a master narrative nor a distinct center? Can we still speak about margins at all? Or have they been shifted to another geopolitical sphere? This lecture series, Theoretical and Critical Problems of the Margins Today, takes a look at the theoretical presuppositions and implications … Read more

Sounding the Body Electric: A Conversation

From May 25–August 19, 2012, an exhibition titled Sounding the Body Electric, Experiments in Art and Music in Eastern Europe, 1957–1984, at the Muzeum Sztuki in ?ód? explored the relations of the visual arts and experimental music. The exhibit featured graphic scores, installations, artists’ films and documents of happenings produced across Eastern Europe during the "thaw years" and after. The starting point of the exhibition is the Experimental Studio of Polish Radio founded in Warsaw in 1957 by Józef Patkowski. It was not only a symbol of the change in attitude of the Communist authorities toward electro-acoustic music, but also an … Read more

Interview with Jelena Vesić About her Show Political Practices of (post-) Yugoslav Art: Retrospective 01

In this interview we discuss the exhibition Political Practices of (Post-)Yugoslav Art: RETROSPECTIVE 01 (hereinafter referred to as PPYUart that Jelena Vesi? co-curated with a group of independent curators, theorists, researchers, artists and activists, andwhich was presented at the Museum of Yugoslav History in Belgrade in 2009. The project was initiated by four independent organizations: the new media center (Novi Sad); the curatorial collective WHW (Zagreb); Prelom kolektiv (Belgrade); and SCCA/ (Sarajevo).

Nikola Dedić/Aneta Stojni?/ARTMargins Online: I would like to start with a question about the exhibition title, which is long and difficult to remember on the one hand, … Read more

Interview with Aneta Stojnić About the Interdisciplinarity of the Arts

Nikola Dedić/ARTMargins Online: You came originally from the world of theater. Recently you have mostly worked in the field of visual arts. Why?

Aneta Stojni?: I would not say that I’m working specifically in the field of visual arts, but rather that my work is in the field of performance art. On the other hand, I did move away from theater (in the classical understanding of the discipline) at a certain point because it became too hermetic and self-referential for my practice.

Maybe someone could say that performance art is closer to the visual arts field, but I don’t really … Read more

Interview with Nikola Dedić

Aneta Stojni?/ARTMargins Online: Is it possible to talk about a “collectors’ scene” in Serbia today?

Nikola Dedić: I wouldn’t say that the word ‘scene’ is completely adequate, but I would definitely say that private collections are new phenomena within local art markets that have emerged over last decade. With this phenomenon, certain institutional changes regarding the production and presentation of contemporary art have also emerged: in the period of the socialist state, for example, centralized cultural institutions dominated in Serbia, with the Museum of Contemporary Art being a main institutional determinant. The Museum, at that time, reflected the orientation of … Read more

Interview with Miško Šuvaković about Art in Serbia in the East European Context

Nikola Dedić/Aneta Stojni?/ARTMargins Online: Recently, you have published the first volume of a book entitled The History Of Art in Serbia, XX Century. Radical Artistic Practices, which is the first detailed and historical study of Serbian art in the last century. How would you evaluate the importance of this project within both the local and the international context?

Miško Šuvakovi?: Your History Of Art In Serbia, XX century– is the first volume of a three volume series that guides the reader through the “long 20th century.” As the editor, I was lucky to gather an extraordinary team … Read more

Interview With Ana Vujanović

Nikola Dedić/Aneta Stojnić/ARTMargins Online: As someone who works in the domain of culture, and particularly in the field of performing arts, what would you designate as specific for the scene in Serbia after 2000? How do you see the scene in a wider, regional context?Nikola Dedić/Aneta Stojnić/Art Margins Online

Ana Vujanović: I’ll focus Belgrade, from a regional perspective (Belgrade-Zagreb-Ljubljana-Skopje), as I don’t feel competent enough to speak about the scene in Serbia. Firstly, I wouldn’t say there is one scene. We still have this antagonistic social force that stratifies the scene(s) into the institutional one and the one called independent … Read more

Focus Issue on Serbian Art in the 2000s

I was invited by ARTMargins editorial team to write a text and edit a special issue about the art scene that has developed in the past ten years in Serbia. For those readers who are not familiar with the local, political, artistic, and cultural context of Serbian art, I will first point out the historical circumstances that determined the development of the scene, and then I will sketch the theoretical framework that is relevant for the understanding and interpretation of contemporary Serbian art. I will also write about the institutional context in which this art is produced and, finally, I … Read more

Just Another Brick in the Wall

The following series of interviews was conducted by Olga Stefan on the occasion of the exhibition Just Another Brick in the Wall, at Barbara Seiler Gallery, Zurich, December 8, 2011-January 7, 2012 ( In conjunction with this exhibition, interviews were conducted with some of the participating artists, including the Bureau for Melodramatic Research (Bucharest), the Center for Visual Introspection (Bucharest), Lia Perjovschi (Sibiu/Bucharest), Club Electro Putere (Craiova), Paradis Garaj (Bucharest), H.arta (Timisoara), as well as with Dan Perjovschi (Sibiu/Bucharest) and Matei Bejenaru (Iasi). Stefan seeks to discover what concrete elements within the existing system are being criticized, and … Read more

Interview with Matei Bejenaru

Matei Bejenaru is an artist, a professor of photography and video, and the founder of both the Periferic Biennial and the Vector Association in Iasi. 

Matei Bejenaru is an artist, a professor of photography and video, and the founder of both the Periferic Biennial and the Vector Association in Iasi.

Olga Stefan: We met in 2001, when I was visiting Romania to research the development of the art scene for my master’s thesis, and you were interested in doing a residency through Artslink but needed a partner organization in the United States. You were managing a performance art festival in … Read more

Interview with Raluca Voinea: “Solidarity and prioritizing the common goal might be our only chance for survival…”

Raluca Voinea is an art critic and curator based in Bucharest. Voinea studied Art History and Theory in Bucharest (1997-2001) and Curating Contemporary Art in London (2004-2006). In 2006 she co-founded, a nonprofit, independent institution based in Romania dedicated to researching, producing and publicizing modern and contemporary art and architecture. Since 2009, has been developing a new program of cultural debates and artistic interventions, under the generic title The Department for Art in Public Space. Voinea has been a co-editor of IDEA. Art + Society magazine, published in Cluj, Romania, since 2008. She is one of the directors … Read more

Interview with Bureau for Melodramatic Research

The Bureau of Melodramatic Research (BMR) is a dependent institution founded in 2009 in Bucharest by Irina Gheorghe and Alina Popa. Its main strategic goal is to raise the veil laid over melodrama in different social contexts and ensure public free access to the results of the research. BMR is a nonprofit making organization with the general aim of cooperation with institutions in order to reveal the circuit of the sentimental capital which determines social, politic and ultimately economic relations.

Olga Stefan: Your practice aims to reveal how our emotions are manipulated by power structures to create narratives that support … Read more

Interview with Paradis Garaj

Paradis Garaj is a collaborative project by Stefan Tiron and Claudiu Cobilanschi that took place in a garage in the center of Bucharest. Various events and happenings occurred that subverted the traditional way of viewing art and opened itself to anyone with the slightest curiosity in its program.

Olga Stefan: You created a very interesting, new model for experiencing contemporary art: in a garage. The projects that you have held there, and your practice overall, are critical of existing power structures in the art community. What particularly do you oppose in the existing art system? What aspects do you feel … Read more

Interview with H.arta

H.arta is a collective founded in 2001 in Timisoara composed of Maria Crista, Anca Gyemant, and Rodica Tache.

Olga Stefan: You are a collective of three female artists. How do collaborations evolve among you, and how do you manage to set aside egos in favor of the common goal?

H.arta: Our collaboration is based on our friendship. Friendship, as an inherent part of our lives: fulfils needs of intimacy, trust, and communication; provides an everyday support in the practical contingencies of life; constitutes a continual practice of negotiation in what concerns our ideas, difficulties, disagreements, and inherent hierarchies; ties private … Read more

Interview with Dan and Lia Perjovschi

Lia Perjovschi is an artist living and working in Sibiu and Bucharest. Her multidisciplinary practice recovers, collects, and disseminates information that has been inaccessible to Romania until 1989. A highly developed personal archive, Contemporary Art Archive, is formed through objects, diagrams, texts, images and film. She exhibits elements from this archive in different forms as her artistic project.

Dan Perjovschi is an artist, writer, and graphic artist living in Sibiu and Bucharest. Over the past two decades, Perjovschi has created drawings in museums, art centers, and public spaces. The drawings present political commentary in response to current events.


Olga Read more

Interview with The Center for Visual Introspection

The Center for Visual Introspection, an independent center for research, artistic and theoretical production in Bucharest, was co-founded by Alina Serban, Anca Benera, Arnold Estefan, and Catalin Rulea.

Olga Stefan: The Center for Visual Introspection (CIV) is a cultural platform that undertakes projects that critically examine the relationship between art and public, art and power structures, art and society. CIV is an independent organization. What does independent mean in Romania? Independent from what? And how does CIV differ from other existing platforms?

Alina Serban: One of the terms used by the nonprofit cultural initiative is that of independent; however, this … Read more

Interview with Club Electro Putere

Club Electro Putere (CEP) is a Romanian center for contemporary culture founded in 2009 by Adrian Bojenoiu and Alexandru Niculescu. CEP is located in Craiova in the building where the cultural club of the independent trade union of the Electroputere factory is (the locomotive and high-tension engines founded in 1949). The building was built in the 1970s in order to perform cultural activities for the plant’s working class, functioning at the same time as a control and propaganda platform of the communist party by 1989, the year of revolution.

Olga Stefan: You opened your exhibition venue in 2009 in Craiova … Read more

Interview with Marge Monko

Marge Monko (born 1976) is an artist living and working in Tallinn, Estonia. She studied at the Estonian Academy of Arts (MA in Photography, 2008) and at the University of Applied Arts in Vienna. Monko’s main mediums are photography and video. She has examined psychoanalysis and its impact on gender representation in visual culture. Recently she has been focusing on gendered work in the context of paradigmatic changes in labour policies.

Monko has had solo exhibitions in Tallinn and Helsinki and participated in several group exhibitions, such as Manifesta 9 (Genk, Belgium, 2012), curated by Cuathémoc Medina, and the Biennale … Read more

Voices From The Center


The following podcast took place on October 30, 2011, on the occasion of the exhibition Voices from the Center at threewalls gallery in Chicago, October 28 – December 10, 2011. The exhibition is an extension of a series of interviews with those living in Eastern Europe about life during and after communism by artist and curator Janeil Engelstad, beginning in 2006. This multi-tiered project takes the form of an interactive web platform (, as well as public events. This exhibition, the first iteration in the United States, gathers the work of Engelstad and artists Grafixpol (Poland), Oto … Read more

OHO Interviews

ARTMargins publishes  two new interviews with formers members of OHO, David Nez and Milenko Matanovi?. The Slovene OHO group, which formed in the late 1960’s, consisted of Milenko Matanovi?, David Nez, Marko Poga?nik, and Andraž Šalamun. It belonged to the wider Slovene OHO movement and regularly collaborated with this wider circle of intellectuals and artists. After very intense three years of working together, the members of OHO decided no longer to pursue success in the art world, trying instead to live closer to nature and to explore spirituality. Today OHO’s legacy represents one of the crucial references for Slovene contemporary … Read more

The OHO Files: Preface

The Slovene OHO group, which formed in the late 1960’s, consisted of Milenko Matanovi?, David Nez, Marko Poga?nik, and Andraž Šalamun. It belonged to the wider Slovene OHO movement and regularly collaborated with this wider circle of intellectuals and artists. After very intense three years of working together, the members of OHO decided no longer to pursue success in the art world, trying instead to live closer to nature and to explore spirituality. Today OHO’s legacy represents one of the crucial references for Slovene contemporary art. A major Slovene prize for young artists has been named after the group.

In … Read more

The OHO Files: Afterword

The publication of Beti Žerovc’s interviews with David Nez and Milenko Matanovi? marks a significant moment for art historians such as myself who have researched OHO both as a cultural phenomenon and as an artistic collective. The most prominent historians of OHO have included Tomaž Brejc, Igor Zabel, and Miško Suvakovi?. All of them did important work reconstructing the group’s various formations and activities between 1965 and 1971, and assessing its legacy. A reevaluation of the OHO’s role in the history of post-war artistic culture was spurred by Igor Zabel’s 1994 OHO retrospective at Ljubljana’s Moderna Galerija. Since then, more … Read more