The Heresy of Didactic Art
Spieker S, Holert T.
Note: This double issue of ARTMargins consists of two sections. First comes a special issue, edited by Sven Spieker and Tom Holert...
In The Vortex of Institutional Lives
Krauss A, Thajib F.
Following from a series of conversations that have been taking place sporadically between us11 in the past years, the current contribution serves as another opportunity...
Scenes of Access, Politics of Difference
Karambeigi P.
Since the passing of the Americans with Disabilities Act in 1990, museum reformers have struggled to comply with the federal codes for accessibility. This essay...
Between the Personal and the Political: On Marianne Wex’s Let’s Take Back Our Space
Rodenbeck J.
From 1972 to 1977 the West German artist Marianne Wex (1937-2020) undertook an extensive photographic research project that eventually was published as a book: Let's...
Learning on the Run: From Psycho-Modernism to Fugitive Sociality
Ridlen T.
Two exhibition and research projects, Creativity Exercises and Back to the Sandbox, are united by the history of reform pedagogy, Friederich Fröbel, and the legacy...
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green
Hornyik S.
The introductory text interprets Eszter Bartholy's article about Miklós Erdély's exhibition Hidden Green. Bartholy's article is based on an interview with Erdély, and contain direct...
Hidden Green by Miklós Erdély
Bartholyì E, Orbán K.
Erdély spread hay over approximately four-fifths of the 12 × 5 m floor of the Budaörs Cultural Center. He left the remaining one-fifth near the...
The Notebook
García D.
This short text is structured in two parts. The first one defines a significant part of my artistic practice as finding a way to represent...
From The Editors
The articles in the second section of our double issue focus on art practices from Eastern Europe, the former Soviet Union, and Palestine. Each...
Madness as a Form of Knowledge: Pavel Ivanovich Karpov’s Creativity of the Mentally Ill
Jakovljević B.
Within the span of only four years, two books on the same subject and with almost identical titles were published on two sides of Europe:...
Dreams/Cinema/Palestine: Unoccupied Spaces in The Dream and My Love Awaits Me by the Sea
Burris G.
This article explores the connections between dreams, cinema, and Palestine. Drawing upon the work of Ghassan Hage, the author argues that dreams and cinema should...
Reassessing Moscow Conceptualism: The View from the Nest
Nicholas MA.
This essay argues for a radical reassessment of Moscow Conceptualism to incorporate the underappreciated Nest, the group of artists Gennady Donskoy, Mikhail Roshal, and Victor...
Photography Against Reproduction: Željko Jerman’s My Year, 1977
Rounthwaite A.
As a young artist active in socialist Zagreb in the 1970s, Željko Jerman subjected photographic prints and negatives to destructive techniques such as scratching, scribbling,...
Erratum: Introduction to Jalal Al-e Ahmade “To Mohassess, for the Wall”
Mohammadreza Mirzaei's “Introduction to Jalal Al-e Ahmad's “To Mohassess, For the Wall’ “ (ARTM 10:2), p. 120 (https://doi.org/10.1162/artm_a_00296) contains an error. The line “For example,...
