Tagged: romania

Black and white cover of book with line drawing

Circulating Images, Diverted Images, and Bodily Images in Romanian art since 2010

Adrian Bojenoiu and Cristian Nae, eds., Romanian Contemporary Art 2010-2020: Rethinking the Image of the World: Projects and Sketches (Berlin: Hatje Cantz, 2020), 208 pp.

Defining the perpetually shifting trends of art in the present can often lead to contradictory arguments, and thus there are few bold and risky examples of efforts at historicizing artistic phenomena that are still in the course of development. At the same time, however, there seems to be an urgency to facilitating the entrance of very recent art from the countries of the former Eastern bloc into the global consciousness. This is happening not only … Read more

The Role of the Romanian Artists’ Union in the Production of State Socialist Art

During the establishment of the new socialist regime in Romania, “in order for visual artists to be it was felt necessary to create a new form of organization, a new organism that [would] become an active factor in the work of culturalization of the masses, and for the development of creation.”(“Introductory remarks for the future Country Conference of the Romanian Artists’ Union (UAP) of the Romanian Popular Republic (RPR),” File 1/1950, Fund UAP, The Central National Archives of Romania (ANIC), f. 1.) This article is an adaptation of part of a forthcoming book about the role of the … Read more

poster with the caption “24 arguments” set in big black bold font on a black and white photo of a group of tied up twigs and a ball made of wickers

Three Years: Retrieval of the Lost Generation of the Romanian Neo-Avant-Garde

24 Arguments: Early Encounters in Romanian Neo-Avant-Garde 1969–1971, The National Museum of Art of Romania, November 7, 2019February 2, 2020

While writing this article on an exhibition tracing cross-cultural relations between Romania and the United Kingdom, free movement and transnational and translocal exchanges have become, during the current pandemic, luxuries of a past epoch. The exhibition under review, 24 Arguments: Early Encounters in Romanian Neo-Avant-Garde 1969–1971, recounts the cultural exchanges that took place during the three short years identified, which now loom in historical distance.  In these far away times, just a few years after Ceaușescu came into … Read more

Art and Politics in Black and White: A Comparative Study of Chile and Romania

Caterina Preda, Art and Politics under Modern Dictatorships: A Comparison of Chile and Romania (New York: Palgrave Macmillan, 2017), 323 pp.

Caterina Preda’s Art and Politics Under Modern Dictatorships: A Comparison of Chile and Romania proposes an in-depth study the author has been pursuing for many years, guided by an interpretive model that situates art as a reflection of political ideology. While acknowledging the methodological risks, Preda is determined to “untangle the relationship that develops between political power and artistic expression in dictatorial settings and which cuts across the left / right and the authoritarian / totalitarian categories,” (p. … Read more

Installation view

Mattis Teutsch: Avant-Garde and Constructive Realism

Mattis Teutsch: Avant-Garde and Constructive Realism, Scena9, Bucharest, September 12, 2019 – October 25, 2019

János Mattis Teutsch, the Hungarian-German-Romanian painter from Brașov, was characterised in 1920 as “the first who has the audacity to present to the Romanian public works in an expressionist style.” (Sigmund Maur, Rampa newspaper, October 21, 1920.) Mattis Teutsch was associated with the likes of Kandinsky, Marc, and Klee both in actual exhibitions, and in discussions of his artistic and conceptual calibre. His legacy today, however, is something of a battlefield, and the explanation for this lies in the seemingly incongruent bodies of … Read more

Romanian Modernism

Luminita Machedon and Ernie Scoffham (eds). Romanian Modernism: The Architecture of Bucharest, 1920-1940. MIT Press, 1999.

Currently a reprint from MIT Press, Romanian Modernism/The Architecture of Bucharest, 1920-1940 made its first appearance in 1999. Although the book was welcomed by the cultural press and received a positive review from the Times Literary Supplement, it went completely unnoticed in Romania. This is not the book’s fault; it is rather a symptom of a larger malaise; for example, none of the major recent histories of modern architecture (Curtis, Frampton, Jencks) ever mention the architecture of Central and Eastern Europe, … Read more