The documentary film Black and White (1968) begins with a scene in which a small child marvels at the skin color of an adult African. The child asks: “Are you really so dirty?”, and concludes with the words, “You’re black. What’s your name?” The little girl is curious and in her ignorance she symbolizes the protagonist of the film – Czechoslovak society confronted with the racialized other. The voiceover in the film speaks on behalf of Czechoslovak society. However, the creator of this documentary is not a Czechoslovak citizen, but Krishna Viswanath. Born in Calcutta, Viswanath studied at university in … Read more
This essay showcases the different strategies of representing race and ethnicity deployed by five Polish artists in relatively recent solo shows. The theme of race was central to some of the shows, while it appeared more marginal in others. Representing race turned out to be complicated by the viewing context, including the location and the medium in which the work was exhibited.
There are two major ways that ethnicity and race play a part in Polish history and in present-day Poland. One is the historically strong Jewish presence, which ended with the Shoah. Additionally, after the war ended, mass emigration … Read more
In this interview, artist Yevgeniy Fiks speaks with art historian and curator Ksenia Nouril about The Wayland Rudd Collection, the artist’s ongoing project that brings together a wide range of Soviet images depicting Africans and African Americans. Established as a collaborative project that incorporates contemporary interventions, the Rudd Collection nuances what is typically projected as a monolithic Soviet culture while also enhancing our understanding of race in and beyond contemporary Russian society.
Ksenia Nouril: What is The Wayland Rudd Collection?
Yevgeniy Fiks: The Wayland Rudd Collection is a participatory, conceptual art project at the center of which is … Read more
Introduction to the Special Issue
This special issue gathers scholars, artists, and critics who examine the relationship between art and race in a region not commonly associated with that issue – Central and Eastern Europe. Most of the investigations presented here are recovery projects, efforts to pay close attention to artistic narratives and works that received little attention in their own time or have been forgotten with the passage of time. These authors ask how contemporary artists have understood racial categories, and how race makes itself visible in artworks and films. The impetus of our special issue was provided by, … Read more