Tagged: memory

Shaping Revolutionary Memory: The Production of Monuments in Socialist Yugoslavia

Sanja Horvatinčić and Beti Žerovc, eds., Shaping Revolutionary Memory: The Production of Monuments in Socialist Yugoslavia (Berlin: Archive Books, 2023), 424 pp. 

Maybe they never really left the public consciousness, but monuments have been at the front of public discussions in the last decade. Despite major world events such as a pandemic and several wars erupting – or possibly precisely because of these major events – there has been significant attention paid to our relationship with public monuments. The so-called “statue wars” in the US and UK of recent years are one example.(Statue wars have been covered in AMO Read more

An image of the book cover, which features a statue of Abraham Lincoln with a person in red curled up in the statue's lap asleep.

Monumental Cares: Sites of History and Contemporary Art

Mechtild Widrich, Monumental Cares: Sites of History and Contemporary Art (Manchester: Manchester University Press, 2023), 256 pp.

The presence and absence of monuments, their authenticity and role in public discourse is the main topic of Mechtild Widrich’s new book, Monumental Cares. We live at a time when this issue has gained more than academic importance, as monuments are central to the politics of caring—caring for community, history, and justice. Being familiar with Widrich’s previous work, I have already utilized it in a critical situation.  About a year ago, I participated in a public debate at Vancouver’s Urbanarium,Read more

The Grave is Better Than Not Knowing

The Grave is Better Than Not Knowing, Humanitarian Law Center Kosovo, Prishtina, November 18, 2021 – January 31, 2022

“The grave is better than not knowing”: this is how Kumrije Jahmurataj expressed her sorrow while anxiously awaiting news of her missing husband, Smajli, who to this day remains unaccounted for after the 1998-99 Kosovo War. Jahmurataj was interviewed as part of research conducted by The Humanitarian Law Center Kosovo (HLC Kosovo), a non-profit organization that was first established during the social upheaval of 1997, before the war began. In the post-war context, HLC Kosovo has played a key role in

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A view of a Lenin monument against a bleak field with bare trees to either side. The statue shows Lenin walking forward, his coat blown open by the wind.

Invocation Trilogy – A Conversation on Monumentality, Language, and the Past with Miška Mandić and Kuba Dorabialski

Kuba Dorabialski’s film series Invocation Trilogy stitches together an unlikely constellation of encounters and mythologies centered around the Eastern European Socialist project. Narrated in a fictional Slavic language invented by Dorabialski, the trilogy plays with truth, fabrication, and legibility as it unpacks histories and memories of Eastern Europe from the insider/outsider migrant perspective. In this interview, artist and filmmaker Miška Mandić speaks with Dorabialski about this work and his practice.

Miška Mandić: The Invocation Trilogy is a series of three video works made between 2017 and 2021, each with a bigger scope than the last. Rather than a sense … Read more

ŠTO TE NEMA – A Living Monument: An Interview with Aida Šehović

ŠTO TE NEMA (Where have you been?) by Bosnian-born artist Aida Šehović is an annual nomadic monument to the victims of the 1995 Srebrenica genocide that has traveled internationally to 15 different cities from 2006 to 2020. This participatory public monument, consisting of more than 8,372 fildžani (small porcelain coffee cups) that have been collected and donated by Bosnian families from all over the world, addresses issues of trauma, healing, and remembrance. The first in a series of articles that make up our Special Issue Contemporary Approaches to Monuments in Central and Eastern Europe, this interview is occasioned by Šehović’s

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Special Issue: Contemporary Approaches to Monuments in Central and Eastern Europe

Introduction to Special Issue

What new practices of commemoration, and what new kinds of memory, do contemporary monuments make possible? What can contemporary art do to help us remember, and what does it mean to make a monument in today’s conditions? This Special Issue highlights a broad range of contemporary practices devoted to alternative forms of commemoration and the problems posed by monumentality within present-day Central and Eastern Europe and its diaspora. Such practices include documentary projects, performances, and interventions that occupy the post-socialist public sphere, as well as works that explore the fraught legacies of socialist-era monuments and subsequent … Read more