Although fewer than two decades have passed since its opening, the Kumu Art Museum, located in Estonia’s capital city Tallinn, is widely acknowledged for its critical exhibitions that often highlight the nation’s traumatic past. Earlier this year, the museum showed Thinking Pictures: Conceptual Art from Moscow and the Baltics, curated by Anu Allas (professor at the Institute of Art History and Visual Culture of the Estonian Academy of Arts), Liisa Kaljula (curator at the Kumu Art Museum), and Jane A. Sharp (curator at the Zimmerli Art Museum and professor in the Department of Art History at Rutgers University, New Jersey, … Read more
Tagged: conceptual art
László Beke, the Hungarian curator and art historian who from the late 1960s became one of the key catalysts of art networks and cross-border collaborations within and beyond Eastern Europe‚ died on January 31 of this year. He published articles, compiled publications, lectured, curated projects and exhibitions on various aspects of progressive art, including Conceptualism, photography, semiotics, Fluxus, Dada, and the post-contemporary (referring to the situation after the era of contemporary art), and, most importantly, pursued his utopian commitment to East European art. Between 1969 and 1986 he was a research fellow at the Research Institute for Art History of … Read more
Marko Ilić, A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia (Cambridge: MIT Press, 2021), 384 PP.
To what extent does the term “institutional critique” adequately describe the work of the New Art Practice, Yugoslavia’s famous generation of conceptual artists? Scholars have taken a range of approaches to this question, from those who reject the term as associated with Western art histories, to those who see the New Art Practice’s dematerialized, socially critical artworks as a form of institutional critique responsive to local conditions. (For example, in her 2007 contribution to the journal Transversal on … Read more
Ilija Šoškić, born in 1935 in present-day Kosovo (then part of Yugoslavia), and raised in present-day Montenegro, became the most known representative of the Montenegrin neo-avant-garde, although the artist would never call himself that. Rejecting any nationalist aspirations of the post-Yugoslav states, he sees himself instead as a nomad or a pilgrim(I refer to the title of Šoškić’s performance Pilgrimage (Hero’s Walk), from a 1975 performance realized at the Hohenzollern Castle, in Tubingen, Germany.)—somebody constantly on the road. Nevertheless, he has returned on several occasions to Montenegro and currently is based in neighboring Croatia.
Šoškić’s actions, installations, and … Read more
Siavash (Siah) Armajani (1939–2020), a conceptual artist best known for his civic-minded public sculptures commissioned for sites across Europe and the U.S., passed away on Thursday, August 27, 2020 from complications related to heart disease. Armajani was born to a wealthy merchant family in Tehran. He was active in political opposition circles throughout high school and college, and was forced to leave Iran in 1960 while still a student at the University of Tehran. He subsequently emigrated to the U.S. and enrolled at Macalester College in St. Paul where he continued his studies in Continental philosophy and American literature. In … Read more