Tagged: art criticism

“Ostkunst, a Different yet Similar Art”: Some Notes on the Complexity of Tomáš Štrauss’s Thought

Tomáš Štrauss: Beyond the Great Divide – Essays on European avant gardes from East to West, Daniel Grúň, Henry Meyric Hughes, Jean-Marc Poinsot (eds.), (Paris: AICA Press, 2020), 189 pp.

“As in the case of these mysterious correlations, the dividing line that separates various conceptions of art and culture not only runs straight through Europe and other continents but also straight through specific cities (…) At the same time, the radical redivision of Europe and the world in Yalta in 1945 did not necessarily have to have a direct impact on cultural history – the borders between art forms do … Read more

painting

“Criticism Should Open Up Horizons for the Future”: The Albanian Union of Writers and Artists and the Status of Art Criticism in the People’s Republic of Albania

This article presents part of the history of the Union of Writers and Artists—the official organ devoted to literature and the fine arts in the People’s Socialist Republic of Albania—and examines (in an incomplete way, of course) the contours of art criticism produced in accordance with official doctrine in Albania, especially in the 1970s decade. Like much Socialist Realist criticism, the output of the Union of Writers and Artists was frequently formulaic, but it also offered a field for artists working beyond the visual (and the union’s critics were almost invariably also practicing artists) to navigate Albanian art’s place vis-à-vis … Read more

Whose Land, Their Art? Debates over the Tendencies Exhibition Series (1980–81)

Money and Morals Then and Now

While at first glance the Artists’ Unions seem to be fossils of Eastern Europe’s state-socialist past, in fact they are still living with us, in several ways. First of all, they persist in the dream of a political utopia: after the short belle époque of welfare states, the current precarization of the cultural sector—especially affected by the COVID-19 crisis—provokes debates on the possibility of cultural workers’ unionization even in Eastern Europe. Secondly, while new institutions emerged after the political transition of 1989, the Artists’ Unions did not completely lose their importance as integrators of … Read more