Contemporary art across the evolving global peripheries
by Marwa Arsanios · Published
Olga’s Notes is a script for a movie. This project tells a story composed of various collected notes, written mainly while reading Al-Hilal magazine (an Egyptian publication from the 1960s), thinking about the disciplined body, labor, and nation-state building through dance.
Content for this article is available at MIT Press. It is available as: No Access/Subscription Only . Click here for more information.
ARTMargins Print is pleased to announce the publication of the Volume 13, Issue 2. A recurring idea in the current issue is difference and contradiction. While art historiography has often treated artistic styles and movements as integrated and consistent wholes, with bookended beginnings and closures, and treated artists as equally stable authorial voices rooted in their respective dispositions, art practice for the most part is marked by contradiction rather than consistency, challenging us to capture the dynamism that contradiction and difference produce in art.
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