Category: ARTMargins Online: Exhibition Reviews

Zoran Jovicic at Gallery S.U.L.U.J.

Galerija SULUJ , Terazije 26. Belgrade. May 12 – 17, 2003.

The Gallery S.U.L.U.J. is located in the strict center of Belgrade. The initials stand for the Association of Fine Artists of Yugoslavia-a namewhich hasn’t changed despite the fact that the country has recently become Serbia and Montenegro.

Unlike other local galleries that exhibit trendy work whose content is so predictable that an art lover loses the habit of even entering, this gallery offers a number of surprises. One never knows what to expect while climbing the stairs of a decadent old building, which at the beginning of the last … Read more

Zone Workshop

Linking Europe:  The Zone Festival (IV, V) in Bucharest

Zone 4 (2002)

The Eastern Europe Zone Festival, or simply Zone, began in 1993, in Timisoara. It had already acquired first a local and then a regional tradition, gradually becoming an internationally renowned artistic event. Zone was one of the first events of this kind organized after the fall of the Berlin wall.

The aim of this festival is to re-establish cultural and artistic relations between the East and Central European countries, as well as between the East and the West. Those ties had been lost because of the isolation … Read more

Split Dreams Iverni Group Exhibition in Romania

The exhibition opened at the Romanian Literature Museum Gallery in Bucharest, March 19-24, 2003. The address of the museum is 12, Dacia Boulevard, Bucharest.

A day before the war in Iraq started, an interesting American-Romanian exhibition opened at the Romanian Literature Museum in Bucharest. The artists Tony Brown, Dorsey Dunn, Tom Fowler, Chris Natrop, Giordano Pozzi, Tyrome Tripolli (from the U.S.A), and Carsten Stehr (from Germany) are members of the Iverni group, formed in San Francisco, California.

The group has traveled throughout Europe, and has been invited to display in many countries along with local artists. In Romania, the artists … Read more

Double – Take

Marek Ther at Galerie Eskort in Brno (Galerie Eskort, Orli 5, Brno, Czech Republic, 10 January – 25 February 2003)

Using an alias still has its advantages and disadvantages in the arts. It can assist in avoiding or emphasizing a direct personal affiliation with the artwork, while generating intrigue and mystery about the artist in question. It is also a means of rejecting a certain kind of sick stardom and success associated with the art world.

Yet despite the many assets, there is always an air of deceit that goes hand-in-hand with the use of an alias-along with questionable guile … Read more

Alexander Savko

Alexander Savko, “Meadow”. Galerie Paula Böttcher Berlin – November 29, 2002 until March 1, 2003

There are no big hugs in the images of this exhibition, and even though the show is titled ‘Heile, heile Welt’ (‘Ideal, ideal world’ – whereby ‘heile, heile’ is also a quote from a popular children’s song, which means ‘get better’) there is hardly a resemblance to the Teletubbyland that is the habitat of the colourful little creatures in the children’s programme.

“Tinky Winky is purple and the biggest Teletubby. His favorite thing is his special red bag. Tinky Winky loves walking, marching, dancing and … Read more

East of Art: Transformations in Eastern Europe: “What Comes After the Wall?”

My presentation is entitled “11/9, or Wrestling with Context.” The date 11/9 is not a mistake and I am not going to talk about 9/11 in New York, but rather about November 11, 1989, the date when the Berlin Wall fell.

In my 15 minutes, I would like to present an abbreviated version of the four best years of my professional life. Namely, in 1997, David Elliott, who was then the Director of the Moderna Museet (Museum of Modern Art) in Stockholm, invited me to be Chief Curator of the project “After the Wall – Art and Culture in post-Communist

Read more

Sculptural TranscenDENTALism On Sculpture and Installation in Anselmo Fox’s Art

Anselmo Fox was born in 1964 in the Italian part of Switzerland (Mendrisio, Tessin). He studied in Luzern, in Basel, and in Berlin, where he has lived since 1994. His central artistic concern is sculpture, a genre which he treats in a wide medial spectrum, ranging from bronze to plaster, wax to chewing gum, photography to animated cartoon and video. Fox uses material appropriate to the form and space of his investigations, and he has thus processed a considerable amountof the amalgam alginat / alg-material usually used by dentists for teeth imprints. The oral cavity may be considered one of … Read more

How Do We Remember the Past?

How Do We Remember the Past? Czechoslovak Socialist Realism, 1948 – 1958. Rudolfinum Gallery, Prague, November 7, 2002 – February 9, 2003

November 7 still carries some unpleasant connotations for all those who lived in the countries of the former East Bloc before 1989. On November 7, we used to celebrate the anniversary of the Great October Revolution; it was a date that – with many others – reminded us of a bitter reality, that the country in which we lived was occupied by the Soviet Army, and that freedom of speech was far beyond our reach.

Symbolically, on November … Read more

Letter from Bucharest: Sculpture and Architecture

In the middle of Bucharest, a well-known art gallery, Simeza, displays the most important Romanian contemporary artists’ works in either single or group exhibitions. Simeza is an old gallery with its own traditions. It has two rooms, not very large, but with high ceilings. Any artist who exhibits his or her works there imagines his or her display in a close relationship with the architecture of this gallery. However, almost all exhibitions are displayed conventionally. In response to this rigidity, Ionel Stoicescu, a young sculptor, recently conceived another kind of art display.

Stoicescu actually modified the configuration of the … Read more

Women on the Edge of Feminism

This exhibition took place in the Saint Sofia underpass in the shops and pedestrian zones between the Central Universal Shop and the Sheraton Hotel, June, 20-24, 2001.

“The 8th of March” women’s group has existed in the cultural horizon of Bulgaria since 1997 when a few female artists got together to react against the “Erotica” exhibition in which only male artists were invited to take part. Little by little, spontaneity gave way to organized work and, since then, eight exhibitions, a few international projects, catalogues, brochures, and a CD have been issued.

“The 8th of March” carries all … Read more

NSK: Retro-Spection

NSK: Retro-Spection, Halsey Gallery at the College of Charleston Charleston, South Carolina. May 11 to June 9, 2001

In 1989, the same year that British artists were responding to Thatcherite Britain the art collective NSK-Neue Slowenische Kunst (New Slovene Art,) was formed in 1983 when the music and ideological group Laibach joined with the fine arts group Irwin and the theater group Red Pilot (later- Sester Scipion Nascine Theatre and most recently Noordung Cosmokinetic Theatre). Prior to the formation of NSK, Laibach also created its own visual artwork under the name of Laibachkunst. The only previous showings … Read more

“Small Talk”

Group exhibition in the Museum of Contemporary Art, Skopje, Macedonia. April-June, 2001.

By definition, “small talk” refers to those seemingly insignificant things that we say in between the periods of discussions concerned with important, universal matters. Small talk may not change the world, but it reveals the concerns of our daily lives, it may be about a small idea, a small problem, a small joy, a small disorder, a small defeat, or a small victory.

We actually engage in small talk all the time, with friends and colleagues, family members and people we know well but only meet on the … Read more

Bringing Back the Baroque: Actual Infinity

“Actual Infinity”, The Prague City Gallery – Municipal Library, 2nd floor. Marianske Square 1, Prague 1 110 00, Czech Republic.

The baroque period in Bohemia was a time of universal education and cultural practice, and it showed a tendency toward individuality, sensuality, freedom, and imagination. Both art and architecture reflected these changes, and due to the dramatic developments in science and mathematics, The Prague Museum Mathematicum was established in 1722. This Prague version of the Roman Museum Kircheranium included natural objects and scientific instruments in its vast collection. A recent exhibition at the Prague City Gallery unveiled the conflicts and … Read more

The “Old New” Connection Between Czech and Slovak Art

The New Connection, curated by Lubomira Slusna. Opened February 1, 2001 at the World Financial Center, New York City. Includes works by Jiri Cernicki, Anton Cierny, Michal Gabriel, Vanesa Hardi, Robo Kocan, Vladimir Kokolia, Patrik Kovacovski, Marek Kvetan, Martin Mainer, Ilona Nemeth, Michal Nesazal, Petr Nikl, Petr Ondrusek, Jiri Prihoda, Lukas Rittstein, Dorota Sadovski, Frantisek Skala, Emoeke Vargova, Katerina Vincourova, Dusan Zahoranski.

It has been more than seven years since Czechoslovakia split into two independent countries, and no matter how many international links the artists in both countries have established since, their once common connections and mutual interests have … Read more

Ilya Kabakov: “50 Installations”

Ilya Kabakov: 50 Installations. Kunstmuseum Bern, Switzerland: www.kunstmuseumbern.ch

“For Kabakov, art remains an inevitable, existential need and a therapy for survival. The artist loves the museum not merely as an institution, but as a personal refuge,” Svetlana Boym argues in her recent essay for this publication, The Soviet Toilet and the Palace of Utopias. In his retrospective exhibition, 50 Installations, Ilya Kabakov has turned his refuge into his playground. The tripartite exhibition itself displays many of the features of Kabakov’s “total installations.” This is most evident in “The Children’s Hospital,” a hospital ward with two beds, on the … Read more

From Counter-Bourgeois to Context-Oriented

Amateur–variable research initiatives 1900 & 2000. Göteborgs Konstmuseum, 20 May – 17 September 2000.

Curators: Charles Esche (SCO), Mark Kremer (NL), Adam Szymczyk (PL). Artists exhibited: Eija-Liisa Ahtila (FIN), Pawel Althamer (PL), Tacita Dean (GB), Maria Eichhorn (D), Hreinn Fridfinnsson (IS/NL), GLOBE (DK), Jens Haaning (DK), Susan Hiller (GB/USA), Job Koelewijn (NL), Edward Krasinski (PL), Maria Lindberg (S), Kirsten Mosher (USA), Dan Peterman (USA), Børre Saethre (N), Gregor Schneider (D), Anika Ström (S), Jörgen Svensson (S), Kathy Temin (AUS), Thorvaldur Thorsteinsson (IS), Richard Wright (SCO).

The exhibition entitled Amateur – variable research initiatives 1900 & 2000, held at … Read more

“Peripheric 4”

Peripheric 4, Iassy, Romania (May 18-24, 2000)

Peripheric was brought to life only four years ago, on the initiative of artist Matei Bejenaru. Iassy had until then been an isolated and conservative town with regard to the visual arts, in spite of its long and important literary tradition. Since Peripheric, this situation is completely changed: a whole new group of young artists has sprung up, hoping to focus attention on this yearly event. This year, the festival included three great exhibitions of international art, a symposium dedicated to “Strategies for Promoting Contemporary Art” that gathered artists from both … Read more

“Unmade”: Self-Portraits by Monika Duda

Monika Duda. Unmade. Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland. 10 March-30 April 2000.

Monika Duda, born in Lublin, Poland, in 1967, lives and works in London. Duda studied art history at the ATK University in Warsaw, 1986-1992, and at the Courtauld Institute of Art in London, 1991-1992. Solo exhibitions: The Hockney Gallery, Royal College of Art, London, 1999; selected group exhibitions: “What Difference Does It Make”, Cambridge Darkroom Gallery, Cambridge, 1998; “Le Jardin”, Stockwell Studios, London, 1998.

Monika Duda’s Unmade, a series of several dozen photographic self-portraits made over a period of six months (from January … Read more

Non-Official Art, Old and New

Die Sanft-Mutigen. Moscow metaphysical painters of the 60’s – 90’s: Mikhail Shvartsman, Vladimir Vaisberg, Eduard Steinberg, Ilya Tabenkin, Dmitry Krasnopevcev. 11/17/99 – 12/16/99, Russisches Haus der Wisenschaft und Kultur, Friedrichstrasse 176, 10117 Berlin.

Neues Moskau (New Moscow). Art from Moscow and St. Petersburg: Andrei Chlobystin, Vladislav Mamyshev, Timur Novikov, Inspection “Medical Hermeneutics”/Pavel Pepperstein, Yevgeniy Yufit. 11/12/99-1/9/00, ifa gallery, NeustŠdtische Kirchstrasse 15, 10117 Berlin. Open daily (except mondays, 12/23-12/27 and 12/31-1/1) 2-7pm. 4/7/00-5/27/00 ifa gallery Stuttgart, Charlottenplatz 17, 70137 Stuttgart 6/20/00-8/5/00 ifa gallery Bonn, Welckerstrasse 11, 53113 Bonn http://www.ifa.de

For Russian 20th Century Art, Berlin has proven to be quite a … Read more

Conceptual Reflection in Polish Art – Experiences of Discourse: 1965-1975

Conceptual Reflection in Polish Art – Experiences of Discourse: 1965-1975, Center for Contemporary Art, Ujazdowski Castle, Warsaw. May 31 – September 5, 1999

Conceptual Reflection in Polish Art. Experiences of Discourse, 1965-1975, exhibiting at Center for Contemporary Art, Ujazdowski Castle, Warsaw from May 31 until 5 September, 1999, is the most comprehensive review of the achievements of Polish conceptual art until now. It features works created between the end of the 1960s and the first half of 1970s. The exhibition attempts to sum up an artistic tendency which still exerts a considerable influence on the development of art … Read more

Ilya Kabakov: Drawings

Sprengel-Museum, Kurt-Schwitters-Platz, Hannover, Germany. 14 March – 16 May 1999. Catalogue DM 25,–.

This is not an ordinary Kabakov exhibition. Since his emigration from Russia in 1988, Ilya Kabakov has been known mainly for his “total” installations, in which he creates little parallel universes that possess their own artistic logic, or rather, stage the context in which the objects on display make sense. In this and other contexts, Kabakov has produced a large number of drawings. The Hannover exhibition, however, is dedicated not to drawings that would be part of some particular context, but to the “autonomous” drawings that Kabakov … Read more

Mixed Review: Dmitri Prigov, ‘Bridge’

Gallery Foto/Graphik Kaethe Kollwitz; Kollwitzstrasse 58, Berlin, Germany, until 8 June 1999

This open-air gallery at the site of the former home of German artist Kaethe Kollwitz regularly shows new works by various artists. It is a dynamic medium commemorating Kaethe Kollwitz’s deep social and human concern that made her one of Germany’s foremost expressionist artists. Playing on Berlin’s location between East and West, Prigov’s drawing “The Bridge” falls into the genre of his “newspaper drawings” and is open to various interpretations.

Rubinshtein Mix. . . This time, we’ll start like this (Lev Rubinshtein, “This time”, 1987): There is another … Read more

The Quest for Freedom. Moscow Artists of the 1950’s – 1970’s.

The Quest for Freedom. Moscow Artists of the 1950’s – 1970’s. Die Suche nach der Freiheit. Moskauer Künstler der 50er – 70er Jahre.

Berlin, Russisches Haus, Friedrichstrasse 176-179. Until 2/14/99, open daily 2-7 pm.

Lauenburg (Germany), Zündholzfabrik, Elbstrasse 2 (2/21/99 – 4/21/99, open mondays to fridays 10 am – 4 pm, saturdays, sundays 10 am – 1.30 pm. Closed over Easter. The full-color catalogue costs DM 35,–.

During the years following Stalin’s death, freedom in the Soviet Union first of all meant personal and political freedom. Artistic freedom from the norms of Socialist Realism, however, was more than a side … Read more