BORIS GROYS, ART POWER. CAMBRIDGE: MIT PRESS, 2008. 224 PP.
“The notion of art,” Boris Groys writes near the start of Art Power, “is today almost synonymous with the notion of the art market.”(Boris Groys, Art Power (Cambridge: MIT Press, 2008), 4.) In less dexterous hands, this argument could swiftly slip into hollow polemic. But Groys continues with something surprising: “to perceive the critique of commodification as the main or even unique goal of contemporary art is just to reaffirm the total power of the art market – even if this reaffirmation takes a form of … Read more