Thresholds of the Visible. Activist Video, Militancy, and Prefigurative Politics
The formation of a Peoples’ Assembly and occupation of the city of Oaxaca (Mexico) in 2006 has been widely considered a rebirth of the Commune...
Whitewash as Affective Platform: Art and Politics of Surface in the Work of Yto Barrada and Hassan Darsi
Whitewash when read through affect is a site of fleeting documentation, a temporary archive of becoming, an ephemeral glimpse into what might become, different. By...
Regioning Differences: Translation and Critical Cartography
The remapping of cartographies of knowledge, the reorientation of genealogies of comparison, the zoning of what might be through of as “the great unthought” (associated...
Contingency Plans: Art Collectives, Shared Pseudonyms, and Theories of Collectivity
This review considers Jacopo Galimberti’s Individuals Against Individualism: Art Collectives in Western Europe (1956–1969), 2017, and Marco Deseriis’s Improper Names: Collective Pseudonyms from the Luddites to Anonymous,...
Encounters—Ongoing
The series of drawings, Encounters – ongoing stems from chance meetings on leisurely road trips around the mountains of Lebanon. The drawings act as markers of my...
Introduction to Arman Grigoryan’s “What is Hamasteghtsakan Art” (1993) and “What is Hamasteghtsakan Art” (1996)
The document presents two separate articles with the same title –“What is Hamasteghtsakan Art” – by artist Arman Grigoryan and art critic Nazareth Karoyan, published in Armenia...
What is Hamasteghtsakan Art
The document presents two separate articles with the same title –“What is Hamasteghtsakan Art” – by artist Arman Grigoryan and art critic Nazareth Karoyan, published in Armenia...
