Art, Institutions, and Internationalism, 1945–73
This guest-edited issue of ARTMargins evaluates the relationship between art, artists, and international institutions in the postwar period. Concentrating on the emergence of new forms...
“Legacies of Internationalism”: Conference Report and Roundtable
With the expansion of free trade and financial deregulation since the 1970s–globalization–the work global has increasingly replaced international to describe phenomena taking place on a...
Envisioning the Third World: Modern Art and Diplomacy in Maoist China
In the mid-1950s, China conducted robust cultural exchange with the Third World in tandem with a parallel political program to influence non-aligned nations in contestation...
Modernism and World Art, 1950–72
Focusing on a series of exhibitions of modern art from the 1950s to the early 1970s, this article traces the frictions between two related, yet...
On Curating Postwar
On March 8, 2017, curator and art historian Katy Siegel delivered a lecture at the Museum of Modern Art, New York, about the exhibition Postwar:...
Southward and Otherwise
This project comes out of a conversation between Mohaiemen and rPajović on the relative absence of Non-Aligned Movement co-founder, and former President of Yugoslavia, Josip...
Re-Worlding Postwar
The exhibition, Postwar: Art between the Pacific and the Atlantic, 1945–1965 (2016-17), presented nearly 350 works by 218 artists from sixty-five countries, providing an ambitious...
Introduction to José Oiticica Filho’s “Setting the Record Straighter”
This text introduces article “Setting the Record Straighter” (1951) by Brazilian photographer and artist José Oiticica Filho (1906–1964). The core of Oiticica Filho’s article is...
Setting The Record Straighter: Part II
This text introduces article “Setting the Record Straighter” (1951) by Brazilian photographer and artist José Oiticica Filho (1906–1964). The core of Oiticica Filho’s article is...
