The Equal and the Different
Eduardo Viveiros de Castro
Eduardo Viveiros de Castro's text, “The Equal and the Different,” was written circa 1975 at the request of the Brazilian artist Carlos Vergara, who had...
Homeland’s Agenda: Electoral Autocracy (The Venezuelan Case, 2016)
Alessandro Balteo-Yazbeck, Ana Alenso
Homeland's Agenda: Electoral Autocracy (The Venezuelan Case, 2016), a video-collage transcript, creates a general equivalence of media—public government broadcasting, propaganda, diverse Internet corporate news channels,...
Neoliberalism in Mexican Cultural Theory
Ignacio M. Sánchez Prado
This essay reviews two theoretical books on neoliberalism written by Mexican cultural critics: Capitalismo gore (Gore Capitalism), by Sayak Valencia, published originally in Spanish in...
The Documentary Films of José Gómez Sicre and the Pan American Union Visual Arts Department
Claire F. Fox
During the 1960s and 1970s, the Visual Arts Department of the Pan American Union, headquarters of the Organization of American States (OAS) in Washington, D.C.,...
International Indeterminacy: George Maciunas and the Mail
Colby Chamberlain
The term “network” has often been used to characterize Fluxus's internationalism and to identify its membership. This has led a number of scholars to argue...
“Passion of the Same”: Cacique de Ramos and the Multidão
Irene V. Small
This article analyzes a series of photographs taken by the Brazilian artist Carlos Vergara between 1972 and 1975 that picture the Rio de Janiero-based carnival...
Introduction to Eduardo Viveiros de Castro’s “The Equal and the Different”
Irene V. Small
Eduardo Viveiros de Castro's text, “The Equal and the Different,” was written circa 1975 at the request of the Brazilian artist Carlos Vergara, who had...
