Vik Muniz’s Pictures of Garbage and the Aesthetics of Poverty
Christopher Schmidt
This essay focuses on Brazilian–American artist Vik Muniz's 2008 Pictures of Garbage and the pendant 2010 documentary on their making, Waste Land, directed by Lucy...
Responses to “Art, Society/Text: A Few Remarks on the Current Relations of the Class Struggle in the Fields of Literary Production and Literary Ideologies”
Karen Benezra
The present dossier compiles brief responses to the anonymously published “Art, Society/ Text: A Few remarks on the Current Relations of the Class Struggle in...
Introduction to Amir Esbati, “The Student Movement of May 1968 and the Fine Art Students”
Montazami
This text introduces the translation of Amir Esbati's essay “The Student Movement [Revolt] of May 1968 and the Fine Art Students,” first published in Labour...
Juan Downey’s Ethnographic Present
Benjamin Murphy
Recorded between 1976 and 77, Juan Downey's video experiments with the Yanomami people have been widely celebrated as offering a critique of traditional anthropology through...
Pop on the Move
Alex Kitnick
In International Pop, the curators Darsie Alexander and Bartholomew Ryan propose a new reading of Pop that establishes a set of relationships marked by difference....
The Student Movement of May 1968 and the Fine Art Students
Amir Esbati
This text introduces the translation of Amir Esbati's essay “The Student Movement [Revolt] of May 1968 and the Fine Art Students,” first published in Labour...
Colophon as a Marginal Witness
Faride Mereb
“Graphic design” was not a proper term until the beginning of the twentieth century. This led to confusion in credits/authorship for book covers, typography, which...
