Volume 3, Issue 1

Hegemonies and Models of Cultural Modernization in South America: The Paraguay-Brazil Case
María Amalia García
This research is part of a core of broader interests which seek to study the diverse cultural positions in South America and to analyze the...
A Lingering Lusotopia: Thinking the Planetary from Angola
Ros Gray
The article considers two art works made in recent years in Angola: the exhibition Lion & Ox, which featured art works by António Ole and...
Stenogram of the General Meeting of the Artists of the Union of Soviet Artists of Moldovia (15 May, 1951)
This stenogram was recorded at an artists' meeting that took place in 1951 in Kishinev (as the capital of today's Republic of Moldova was called...
Confronting Globalization
Huw Hallam
This article reviews Pamela M. Lee's Forgetting the Art World (2012) and TJ Demos's Return to the Postcolony (2013). Reviewer examines the texts' shared concern...
Introduction to “Stenogram of the General Meeting of the Artists of the Union of Soviet Artists of Moldovia (15 May, 1951)”
Octavian Eşanu
This stenogram was recorded at an artists' meeting that took place in 1951 in Kishinev (as the capital of today's Republic of Moldova was called...
Chronicles from Majnun until Layla
Azin Feizabadi
Chronicles from Majnun until Layla is a film project structured in three stages: 1.) The Museum of Modern Iranian History (2011–2013), 2.) Layla and Majnun...
Chaos-monde and the Aesthetics of Depth in Artur Barrio, Jacques Coursil, and Damián Ortega
Fernanda Negrete
This article discusses the plastic arts' non-dialectical engagement with materiality, by focusing on figures of depth in three recent artworks in mixed media by artists...