Volume 2, Issue 3

My Reference Is Prejudiced: David Lamelas’s Publication
Daniel R. Quiles
This article addresses David Lamelas's 1970 work Publication, arguing that it represents a subtle critique of the internationalization of conceptual art by a recent entrant...
Immanence and Infidelity: Fifteen Ways to Leave Badiou
Andrew Stefan Weiner
This essay analyzes the recent book Fifteen Ways to Leave Badiou, produced by the Egyptian curator Bassam El Baroni for the Alexandria Contemporary Arts Forum...
On photography Time split in two
Ronald Kay
The text presented here constitutes the first time that Ronald Kay's work has been rendered and published in English translation. A fundamental figure within Chile's...
Introduction to Ronald Kay’s “On photography Time split in two”
Osvaldo de la Torre
The text presented here constitutes the first time that Ronald Kay's work has been rendered and published in English translation. A fundamental figure within Chile's...
Paul Strand’s Living Labor
Stephanie Schwartz
In 1932, Paul Strand travelled to Mexico. The work he completed during his two-year stay has framed our histories of Strand's practice in the 1930s...
“What We Think about the Object Is Far More Important Than Its Making”: Some Notes on Horia Bernea’s Early Works
Magda Radu
The text analyzes the early activity of the Romanian artist Horia Bernea (1938–2000), putting it in conjunction with various aspects of conceptual art. It emphasizes...
Comparative Monument (Palestine)
Nicholson