Author: ARTMargins

Interview with Raluca Voinea: “Solidarity and prioritizing the common goal might be our only chance for survival…”

Raluca Voinea is an art critic and curator based in Bucharest. Voinea studied Art History and Theory in Bucharest (1997-2001) and Curating Contemporary Art in London (2004-2006). In 2006 she co-founded E-cart.ro, a nonprofit, independent institution based in Romania dedicated to researching, producing and publicizing modern and contemporary art and architecture. Since 2009, E-cart.ro has been developing a new program of cultural debates and artistic interventions, under the generic title The Department for Art in Public Space. Voinea has been a co-editor of IDEA. Art + Society magazine, published in Cluj, Romania, since 2008. She is one of the directors … Read more

Interview with Bureau for Melodramatic Research

The Bureau of Melodramatic Research (BMR) is a dependent institution founded in 2009 in Bucharest by Irina Gheorghe and Alina Popa. Its main strategic goal is to raise the veil laid over melodrama in different social contexts and ensure public free access to the results of the research. BMR is a nonprofit making organization with the general aim of cooperation with institutions in order to reveal the circuit of the sentimental capital which determines social, politic and ultimately economic relations.

Olga Stefan: Your practice aims to reveal how our emotions are manipulated by power structures to create narratives that support … Read more

Interview with Paradis Garaj

Paradis Garaj is a collaborative project by Stefan Tiron and Claudiu Cobilanschi that took place in a garage in the center of Bucharest. Various events and happenings occurred that subverted the traditional way of viewing art and opened itself to anyone with the slightest curiosity in its program.

Olga Stefan: You created a very interesting, new model for experiencing contemporary art: in a garage. The projects that you have held there, and your practice overall, are critical of existing power structures in the art community. What particularly do you oppose in the existing art system? What aspects do you feel … Read more

Interview with H.arta

H.arta is a collective founded in 2001 in Timisoara composed of Maria Crista, Anca Gyemant, and Rodica Tache.

Olga Stefan: You are a collective of three female artists. How do collaborations evolve among you, and how do you manage to set aside egos in favor of the common goal?

H.arta: Our collaboration is based on our friendship. Friendship, as an inherent part of our lives: fulfils needs of intimacy, trust, and communication; provides an everyday support in the practical contingencies of life; constitutes a continual practice of negotiation in what concerns our ideas, difficulties, disagreements, and inherent hierarchies; ties private … Read more

Interview with Dan and Lia Perjovschi

Lia Perjovschi is an artist living and working in Sibiu and Bucharest. Her multidisciplinary practice recovers, collects, and disseminates information that has been inaccessible to Romania until 1989. A highly developed personal archive, Contemporary Art Archive, is formed through objects, diagrams, texts, images and film. She exhibits elements from this archive in different forms as her artistic project.

Dan Perjovschi is an artist, writer, and graphic artist living in Sibiu and Bucharest. Over the past two decades, Perjovschi has created drawings in museums, art centers, and public spaces. The drawings present political commentary in response to current events.

 

Olga Read more

Interview with The Center for Visual Introspection

The Center for Visual Introspection, an independent center for research, artistic and theoretical production in Bucharest, was co-founded by Alina Serban, Anca Benera, Arnold Estefan, and Catalin Rulea.

Olga Stefan: The Center for Visual Introspection (CIV) is a cultural platform that undertakes projects that critically examine the relationship between art and public, art and power structures, art and society. CIV is an independent organization. What does independent mean in Romania? Independent from what? And how does CIV differ from other existing platforms?

Alina Serban: One of the terms used by the nonprofit cultural initiative is that of independent; however, this … Read more

Interview with Club Electro Putere

Club Electro Putere (CEP) is a Romanian center for contemporary culture founded in 2009 by Adrian Bojenoiu and Alexandru Niculescu. CEP is located in Craiova in the building where the cultural club of the independent trade union of the Electroputere factory is (the locomotive and high-tension engines founded in 1949). The building was built in the 1970s in order to perform cultural activities for the plant’s working class, functioning at the same time as a control and propaganda platform of the communist party by 1989, the year of revolution.

Olga Stefan: You opened your exhibition venue in 2009 in Craiova … Read more

Interview with Marge Monko

Marge Monko (born 1976) is an artist living and working in Tallinn, Estonia. She studied at the Estonian Academy of Arts (MA in Photography, 2008) and at the University of Applied Arts in Vienna. Monko’s main mediums are photography and video. She has examined psychoanalysis and its impact on gender representation in visual culture. Recently she has been focusing on gendered work in the context of paradigmatic changes in labour policies.

Monko has had solo exhibitions in Tallinn and Helsinki and participated in several group exhibitions, such as Manifesta 9 (Genk, Belgium, 2012), curated by Cuathémoc Medina, and the Biennale … Read more

Vision and Communism: The Films of Aleksandr Medvedkin and Chris Marker at “The Film Studies Center, Chicago” (Review Article)

The Films of Aleksandr Medvedkin and Chris Marker, The Film Studies Center, University of Chicago, October 12, October 19, November 2, 2011

In connection with the exhibition Vision and Communism at the Smart Museum of Art, Chicago, the films of Aleksandr Medvedkin and Chris Marker were shown at the Film Studies Center at the University of Chicago. Both the exhibition and the films are a part of the Soviet Arts Experience, an extensive series of 100 programs and events devoted to Soviet art and culture in twenty-six venues across Chicago. The massive nature of this experience demands attention to how … Read more

The Fourth Annual Cambridge Festival of Ukrainian Film, 2011

On November 10 and 11, 2011, Cambridge Ukrainian Studies, a program in the Department of Slavonic Studies at the University of Cambridge, hosted a symposium to honor the wide-ranging work of Ukrainian filmmaker Ihor (Igor’) Savchenko (1906-1950). Savchenko’s career in cinema spanned several decades and encompassed an assortment of genres; his many credits include the first Soviet musical The Accordion (1934), the romantic comedy Chance Meeting (1936), and the wartime epics Bogdan Khmelnitskii (1941), The Russian Sailor: Ivan Nikulin (1944), and The Third Strike (1948). The Symposium consisted of screenings, discussions, and papers presented by leading international film-specialists that not … Read more

The Visual Sonority of Francis Bacon’s Painting in Jerzy Skolimowski’s “The Shout” (1978) (Review Article)

The structure of The Shout (1978) by Jerzy Skolimowski is built on the antagonism between two male protagonists, Anthony Fielding (Ian Hurt) and Crossley (Alan Bates). The first is a composer who records and experiments with natural sounds; the latter is a mysterious invader who claims to possess supernatural powers and is able to kill with his shout. The classically trained musician embodies human culture and order, while the other character denotes rough animalistic forces and natural elements. This contrast between the two characters is accentuated by other elements in the film that represent the norm and the irregularity, such … Read more

Ostalgia at the New Museum (Review Article)

 OSTALGIA, THE NEW MUSEUM, NEW YORK, JULY 6 – OCTOBER 2, 2011

The ‘iron curtain’ will stay with us for a long time: in our memories, in our lives that we cannot renounce, no matter how difficult they were and how hard we try.(Slavenka Drakuli?, How We Survived Communism and Even Laughed (New York: HarperPerennial, 1993), 121.)
Slavenka Drakuli?, How We Survived Communism and Even Laughed

When choosing a radically new project or goal, people can modify their past, making it interesting and enjoyable.(Artis Svece, “Augu seka un pag?tnes estetiz?šana = Crop Rotation and the Aestheticization of Read more

Jiří Skála

Whenever somebody asks me to send in a few photographs of my work I encounter a problem. Sitting in front of the computer, staring at the monitor, I find myself unable to come to a conclusion. Of what do these images speak? Are they testimony to my need to find a compromise between the chaos in my mind and my ability to control it, to know my way around it? What should I write? How can I connect these eleven photographs?

GALLERY | ARTIST’S STATEMENT | SHOWS | COLLECTIONS, PRIZES & PUBLICATIONS | CRITICAL STATEMENT

GALLERY

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Reflections: Central European Artists on Their Work and the Post-Communist Condition

The following video series documents the panel Revolution, Transformation and Identity: Central European Artists Reflect upon Post-Communist Art, Urbanism, and Culture that took place on October 30, 2011, at the Graham Foundation, Chicago. The panel was held in conjunction with the exhibition Voices from the Center on view at threewalls gallery, Chicago, October 28-December 10, 2011. The series includes introductory remarks by Shannon Stratton, Executive and Creative Director of threewalls and Janeil Engelstad, curator of the exhibition, and individual presentations by artists Matej Vakula, Miklos Suranyi, Oto Hudec, Magda Stanova, and Jan Worpus of Grafixipol.

Also see the related podcast Read more

Troubles with History: Skopje 2014

“Even the automobiles have an air of antiquity here”. — Guillaume Apollinaire

“Only here”, Chirico once said, “is it possible to paint. The streets have such gradation of gray.”  — Walter Benjamin

Building Bonanza
Skopje, the capital of the Republic of Macedonia at the moment undergoes one of Europe’s biggest urban and art upheavals – the project is dubbed Skopje 2014. Labeled as a “building bonanza”,(Smith, Helena. “Macedonian statue: Alexander the Great or a Warrior on a Horse?”, Guardian, 14 August 2011, http://www.guardian.co.uk/world/2011/aug/14/alexander-great-macedonia-warrior-horse) by the British Guardian, Skopje 2014 project was planned by the Government for several … Read more

Vision and Communism at The Smart Museum (Exhibition Review)

The Smart Museum of Art, University of Chicago, September 29, 2011-January 22, 2012

Upon entering the exhibition Vision and Communism, the viewer is purposefully presented with little information about the Soviet artist and designer Viktor Koretsky (1909- 1998). The almost ninety examples of Koretsky’s work on display make up the largest show featuring this artist in America to date, and include lithographic print posters, mixed-media maquettes, and black-and-white photographs. The exhibition is framed by both its enigmatic title and in the exhibition space itself so that Koretsky’s visually arresting work makes maximum visual impact.

While the pieces are not accompanied … Read more

The 46th International Film Festival in Karlovy Vary 2011 – An A-Festival with a Human Face (Film & Screen Media)

The Beginnings in 1946

Both have an art deco touch: the chunky gold-plated Oscar and the elegant brass statue of a female figure holding a glass globe. The Chrystal Globe, the Karlovy Vary Film Festival award, in its current shape was created only 11 years ago, but harks back to the decorative style of the first decades of the 20th century.(According to the festival dossier in the Czech monthly euro 27/6/2011, 77. The globe is produced by the traditional Moser glass factory (Karlovy Vary).) The festival is among the oldest in Europe.(It is the third oldest film Read more

Ostalgia at the New Museum (Review Article)

Ostalgia, The New Museum, New York, July 14-October 2, 2011

Nostalgia has many guises – homesickness, yearning, desire, melancholia. Susan Stewart defines nostalgia as a “social disease,” a “sadness without an object,” a narrative that is fundamentally ideological. “Hostile to history and its invisible origins . . . ,” she argues, “nostalgia wears a distinctly utopian face, a face that turns toward a future-past, a past which has only ideological reality.”(Susan Stewart, On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Baltimore and London: John Hopkins University Press, 1984), 23.) Walter Benjamin wrote about Leftist … Read more

Eyes Looking For a Head to Inhabit in Łódź (Exhibition Review)

Eyes Looking For a Head to Inhabit, curated by Aleksandra Jach, Joanna Soko?owska, Katarzyna S?oboda and Magdalena Zió?kowska, Museum of Art ?ód?, 30 September, 2011-11 December, 2011.

The exhibition at the Museum of Art in ?ód? celebrates the 80th anniversary of the International Collection of Modern Art, which was created by members of the Polish constructivist avantgarde: Katarzyna Kobro and W?adys?aw Strzemi?ski, with the effective help of Jan Brz?kowski and Henryk Sta?ewski, who together constituted the “a.r.” (revolutionary artists) group. This historical collection, encompassing a variety of contemporary artists’ works ranging from van Doesburg, through Leger, to Arp and Ernst, … Read more

Voices From The Center

 

The following podcast took place on October 30, 2011, on the occasion of the exhibition Voices from the Center at threewalls gallery in Chicago, October 28 – December 10, 2011. The exhibition is an extension of a series of interviews with those living in Eastern Europe about life during and after communism by artist and curator Janeil Engelstad, beginning in 2006. This multi-tiered project takes the form of an interactive web platform (www.voicesfromthecenter.net), as well as public events. This exhibition, the first iteration in the United States, gathers the work of Engelstad and artists Grafixpol (Poland), Oto … Read more

Journey to the East (Exhibition Review)

Journey to the East, Galeria Arsenal in Bia?ystok, August 5-September 30, 2011

The Journey to the East opened on August 5 (until September 30) at the Galeria Arsenal in Bia?ystok, Poland. Curated by Monika Szewczyk, along with a team of local curators from the countries featured in the exhibition – Armenia, Azerbaijan, Belarus, Georgia, Moldova, Ukraine and Poland – the comprehensive show featured artworks filling two gallery spaces, objects in the public space of Bia?ystok, performances and a day-long conference. The project is being realized within the Cultural Program of the Polish EU Presidency in 2011, and will travel later … Read more

OHO Interviews

ARTMargins publishes  two new interviews with formers members of OHO, David Nez and Milenko Matanovi?. The Slovene OHO group, which formed in the late 1960’s, consisted of Milenko Matanovi?, David Nez, Marko Poga?nik, and Andraž Šalamun. It belonged to the wider Slovene OHO movement and regularly collaborated with this wider circle of intellectuals and artists. After very intense three years of working together, the members of OHO decided no longer to pursue success in the art world, trying instead to live closer to nature and to explore spirituality. Today OHO’s legacy represents one of the crucial references for Slovene contemporary … Read more

Rearview Mirror: New Art From Central And Eastern Europe (Review Article)

REARVIEW MIRROR: NEW ART FROM CENTRAL AND EASTERN EUROPE, THE POWER PLANT, TORONTO, JULY 1, 2011 – SEPTEMBER 5, 2011; THE ART GALLERY OF ALBERTA, EDMONTON, JANUARY 28, 2012 – APRIL 29, 2012

Identificatory scenarios abound in Rearview Mirror: New Art from Central and Eastern Europe, which is co-produced by The Power Plant Art Gallery in Toronto and the Art Gallery of Alberta in Edmonton. As the site of a subject’s first encounter with their own image as Other, the mirror appears in both literal and figurative guise in a number of the works on display here. And yet the … Read more

The OHO Files: Preface

The Slovene OHO group, which formed in the late 1960’s, consisted of Milenko Matanovi?, David Nez, Marko Poga?nik, and Andraž Šalamun. It belonged to the wider Slovene OHO movement and regularly collaborated with this wider circle of intellectuals and artists. After very intense three years of working together, the members of OHO decided no longer to pursue success in the art world, trying instead to live closer to nature and to explore spirituality. Today OHO’s legacy represents one of the crucial references for Slovene contemporary art. A major Slovene prize for young artists has been named after the group.

In … Read more

The OHO Files: Afterword

The publication of Beti Žerovc’s interviews with David Nez and Milenko Matanovi? marks a significant moment for art historians such as myself who have researched OHO both as a cultural phenomenon and as an artistic collective. The most prominent historians of OHO have included Tomaž Brejc, Igor Zabel, and Miško Suvakovi?. All of them did important work reconstructing the group’s various formations and activities between 1965 and 1971, and assessing its legacy. A reevaluation of the OHO’s role in the history of post-war artistic culture was spurred by Igor Zabel’s 1994 OHO retrospective at Ljubljana’s Moderna Galerija. Since then, more … Read more

The OHO Files: Interview with Milenko Matanović

ARTMargins Online publishes exclusive interviews with former members of the Ljubljana-based OHO Group, which formed in the late 1960’s and consisted of Milenko Matanovi?, David Nez, Marko Poga?nik, and Andraž Šalamun. It belonged to the wider Slovene OHO Movement and regularly collaborated with this wider circle of intellectuals and artists.

Milenko Matanovic is an artist and community organizer, founding the Pomegranate Center, whose mission has been to develop an effective model for helping communities prepare for the future using collective creativity, meaningful engagement and powerful collaboration. Matanovic began his career as an experimental artist in the late ’60s in his … Read more

The OHO Files: Interview with David Nez

ARTMargins Online publishes exclusive interviews with former members of the Ljubljana-based OHO Group, which formed in the late 1960’s and consisted of Milenko Matanovi?, David Nez, Marko Poga?nik, and Andraž Šalamun. It belonged to the wider Slovene OHO Movement and regularly collaborated with this wider circle of intellectuals and artists.

David Nez was born in 1949 in Massachusetts, USA. He graduated from the Academy of Fine Arts in Ljubljana, Slovenia. He joined OHO in 1968, participating in exhibitions, happenings, photo projects and films. At first, he created objects, followed by environments and installations. Notable among OHO’s “Summer Projects” are his … Read more

Dispatch from Bucharest

Preparing for my first time back in Romania after 7 years I was filled with a certain anxiety: those stray dogs I remembered wandering the streets in packs, the beggars on every street corner, the guilt one feels for being a “privileged foreigner” amidst all the poverty and misery.

And yet my one week stay, undertaken thanks to a grant from the Romanian Cultural Institute, was filled with surprises: on the surface at least everything looked like a county on the cusp of change. Bucharest was vibrant and alive with an amazing energy, and specifically the art scene was in … Read more

The Hidden Decade: Polish Video Art 1985-1995 (Book Review)

Ukryta dekada. Polska sztuka wideo 1985-1995 / The Hidden Decade: Polish Video Art 1985-1995, eds. Piotr Krajewski, Violetta Kutlubasis-Krajewska, WRO Art Center, Wroclaw 2010, 336 p.

Given the contributions of feminism or New Historicism, the statement that there is no such thing as complete and cohesive ‘”great narrative” appears to be a cliché. When writing a history, especially the first historical outline of an art field, one will inevitably get involved in the politics of inclusion and exclusion (the canon), and one will have to answer questions such as: who is speaking? and from where? Such questions evidently beset … Read more

Václav Kadrnka in conversation with Natascha Drubek

Natascha Drubek discusses Eighty letters (Osmdesát dopis?, CZ, 2011, 75 min) with the film’s director, Václav Kadrnka.

 

 

Václav Kadrnka was born in 1973 in Gottwaldov (now Zlín), Czechoslovakia. In 1987, when the ?SSR was not touched by perestroika, yet, his mother filed an application for emigration to the United Kingdom. Her husband had already fled to England earlier. The family was reunited in 1988. When 1989 brought political changes in his homeland, Kadrnka revisited Czechoslovakia. In 1992 he decided to stay. From 1999 to 2008 he studied to be a film director at the Film and TV School … Read more