ARTMargins is a publication with an online outlet (ARTMargins Online) and a print outlet (ARTMargins Print). Both have distinct content but share an interest in publishing research, criticism, and artistic projects that advance our understandings of post-socialism, postmodernism, and postcolonialism, within the framework of a global art history. ARTMargins explores the shifting geo-political, aesthetic, and economic configurations that shape the art production in the margins, attending to narratives and territories that have been excluded from contemporary art history.
NEW: ARTMargins Print 13:1
ARTMargins Print is pleased to announce the publication of the Volume 13, Issue 1: Socialism in Contemporary African Art
- Socialism in Contemporary African Art: Butchering the End of Time
- “We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson’s Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media
- Make Me a Picture of the Future: Massinissa Selmani’s 1000 Socialist Villages (2015)
- The Mythography of Socialism in Contemporary Angolan Art
- The Politics and Aesthetics of Liberation: Revolution and Its Aftermath in Contemporary Artistic Practice from and about Lusophone Africa 1
- Abstract States: Modernism in Lebanon, Syria, and Turkey
- As the Nile Flows or the Camel Walks
- Introduction to “Cultural Offensive of the Working Classes”
- Cultural Offensive of the Working Classes
