Monthly Archive: March 2019

ARTMargins Print Volume 8, Issue 1

With the many symposia and exhibitions commemorating the fiftieth anniversary of 1968 now behind us, this first issue of 2019 asks how to historicize the art of the moment after. The articles in the current issue displace events that often serve as historical markers, asking instead how to interpret the artistic production of gradual and contradictory processes of economic modernization and political institutionalization. In so doing, they question how to reconstruct artistic tendencies and institutional norms without confirming the inevitability of the present, searching for utopian images, or trying to redeem social experiments that capital has long since assumed as … Read more

Two cases with prints inside.

Utopia Revisited: Malevich, Chagall, and Lissitzky at the Jewish Museum

A silent video of Vladimir Lenin speaking enthusiastically to Russian crowds greets the visitors of the Jewish Museum’s second floor. We hear no words, but Lenin appears victorious; the footage, we assume, must have been filmed after April 1917, when the exiled leader had just been clandestinely brought back from Switzerland onboard a German train. In the following months, Lenin would successfully lead a revolution that overthrew the tsarist regime and ventured to turn Russia into a communist state. And while it only took a few years for this sense of communist idealism to be swiftly replaced by an authoritarian … Read more

Two items on pedestals in front of TV screens

Aria Mineralia

Larisa Crunțeanu, Aria Mineralia Zachęta Project Room, Warsaw, October 20 – December 2, 2018.

For her exhibition Aria Mineralia at Zachęta Project Room, Larisa Crunțeanu, a Romanian-born, Warsaw-based artist and curator, has created a sound-based installation along with accompanying ceramics, neon, costumes, and video works that all address notions of camouflaging as an activity of playful subversion.(Aria Mineralia at Zachęta Project Room, Warsaw, is part of the cultural project F vs F, produced by Copia Originala Association and co-funded by the National Cultural Administration Fund, Romania. Partner of the exhibition: Anca Poterasu Gallery.) The title Aria Mineralia refers … Read more