The Slovenian sociologist and performing arts theorist Katja Praznik recently published the study The Paradox of Unpaid Artistic Labor: the Autonomy of Art, the Avant-Garde, and Cultural Policy in the Transition to Post-Socialism (Ljubljana: Založba Sophia, 2016). Before coming to the United States, she was long active in the independent Slovenian cultural scene. Today she teaches cultural policy and sociology of art at SUNY Buffalo, and deals with questions of the “autonomy” of arts and the social conditions of cultural production. The following interview was conducted on the occasion of Katja Praznik’s lecture at Zagreb’s Multimedia Institute.
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