Contemporary art across the evolving global peripheries
by Hooshang Irani, Gholam Hossein Gharib, Hassan Shirvani · Published
Perhaps the earliest manifesto in Iranian art, “The Nightingale’s Butcher Manifesto” fights for an Iranian avant-garde—an avant-garde based on new modes of abstraction so as to break the chains of both Iran’s artistic traditions and the social concerns of figuration.
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ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 3.
More Phemes — by Slavs and Tatars
1 Oct, 2022
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization — by Matthew J. Mason
1 Oct, 2022
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art — by Lara Ayad
1 Oct, 2022
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–96 — by Dorota Jagoda Michalska
1 Oct, 2022
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War — by Alberto Toscano
1 Oct, 2022
Introduction: Art’s Histories Without Art History — by Kaira Marie Cabañas
1 Oct, 2022
From the Editors — by The Editors
1 Oct, 2022
The Silence That Words Hold — by Lula Wanderley
1 Oct, 2022
Lend Me Your Eyes — by Gina Ferreira
1 Oct, 2022
The Persistence of Primitivism and the Debt Collectors — by Elizabeth Harney
1 Oct, 2022
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