Tagged: socialist art

The Law of the Underground: The Critique of Gender, Performance Art, and the Second Public Sphere in the Late GDR

Angelika Richter, Das Gesetz der Szene. Genderkritik, Performance Art und zweite Öffentlichkeit in der späten DDR [The Law of the Underground: The Critique of Gender, Performance Art, and the Second Public Sphere in the Late GDR] (Bielefeld: Transcript-Verlag, 2019), 408 pp.

In 2019, German art historian and curator Angelika Richter published her doctoral thesis The Law of the Underground: The Critique of Gender, Performance Art, and the Second Public Sphere in the Late GDR, in the German language. This book is worth reviewing even three years after its initial publication due to its meticulous research and … Read more

Room within the Henryk Stażewski exhibition displaying works of sculpture and graphic design.

New approaches to art and life in the Polish People’s Republic: Henryk Stażewski at Muzeum Sztuki

Henryk Stażewski (1894-1988) had a long artistic run in two different versions of his home country: first as a pioneer of the avant-garde in the Polish Republic between 1918 and 1939 and then his later, but no less experimental career in the communist Polish People’s Republic founded in the post-war world order after 1945. It is the latter that is the subject of the exhibition Henryk Stażewski: Late Style at the Muzeum Sztuki Lodz – to many known as a legendary institution with a pedigree as an avant-garde museum (including the colorful interior of the Neo-Plastic Room for abstract art) … Read more

cover of exhibition catalogue

Beyond the 3 Ts: Promote, Tolerate, Ban – Art and Culture in Cold War Hungary

Cristina Cuevas-Wolf and Isotta Poggi, eds., Promote, Tolerate, Ban: Art and Culture in Cold War Hungary (Getty Publications, 2018), 160 PP. 

The curators of the Getty Research Institute and The Wende Museum of the Cold War undertook a difficult task with an exhibition in Los Angeles, entitled Promote, Tolerate, Ban – Art and Culture in Cold War Hungary,(Eastern European regimes operating before 1989 were not, in fact, communist states. In my view, even the ‘state socialist’ adjective is inappropriate for the Kádár regime, especially since the mid-1960s, but the now increasingly common term ‘state capitalism’ is not yet Read more

The Role of the Romanian Artists’ Union in the Production of State Socialist Art

During the establishment of the new socialist regime in Romania, “in order for visual artists to be it was felt necessary to create a new form of organization, a new organism that [would] become an active factor in the work of culturalization of the masses, and for the development of creation.”(“Introductory remarks for the future Country Conference of the Romanian Artists’ Union (UAP) of the Romanian Popular Republic (RPR),” File 1/1950, Fund UAP, The Central National Archives of Romania (ANIC), f. 1.) This article is an adaptation of part of a forthcoming book about the role of the … Read more

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Forms of Involvement: The Czechoslovakian Artists’ Union and Its 1964 Congress

During the past decade, contemporary artists in Central and Eastern Europe have renewed their interest in Artists’ Unions, and have begun to self-organize.(This article is based on a study by Johana Lomová and Karel Šima, “Sjezd Svazu československých výtvarných umělců v roce 1964. Poznámky k úspěšnosti performance,” (The Conference of the SČSVU in 1964. Notes on the Success of One Performance) in Umění a revoluce (Art and Revolution), ed. Johana Lomová and Jindřich Vybíral (Praha: UMPRUM 2017), 512–545.) After years of what scholar Piotr Piotrowski termed “anti-communism,”(Piotr Piotrowski, Art and Democracy in Post-Communist Europe (London: Read more