ARTMargins

Contemporary art across the evolving global peripheries

Tagged: performance art

ARTMargins Online: Articles / ARTMargins Online: Special Issue

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 by Hana Buddeus ·

Photography: The Lingua Franca of Performance Art?

As Michelle Henning points out in her book Photography: The Unfettered Image (2018), “from its inception, photography was a means to set images free, to allow them to go traveling, to transfer, to be projected, translated, fragmented, reconstituted and reversed, to be reimagined and re-embodied.”(Michelle Henning, Photography: The Unfettered Image (New York: Routledge, 2018), p. xi.) How does this perspective contribute to understanding the medium beyond its treatment in art museums, which usually emphasize uniqueness and authorship? How does highlighting the concept of images as “migratory, journeying, wandering and vagabond”(Henning, p. 8.) alter our approach towards … Read more

ARTMargins Online: Book Reviews

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 by Constanze Fritzsch ·

The Law of the Underground: The Critique of Gender, Performance Art, and the Second Public Sphere in the Late GDR

Angelika Richter, Das Gesetz der Szene. Genderkritik, Performance Art und zweite Öffentlichkeit in der späten DDR [The Law of the Underground: The Critique of Gender, Performance Art, and the Second Public Sphere in the Late GDR] (Bielefeld: Transcript-Verlag, 2019), 408 pp.

In 2019, German art historian and curator Angelika Richter published her doctoral thesis The Law of the Underground: The Critique of Gender, Performance Art, and the Second Public Sphere in the Late GDR, in the German language. This book is worth reviewing even three years after its initial publication due to its meticulous research and … Read more

ARTMargins Online: Exhibition Reviews

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 by Freda Fiala ·

Enduring the Flag: A Review of Maria Kulikovska’s 254 Performance

Maria Kulikovska, 254 Performance, Neue Nationalgalerie Berlin, April 27 to May 4, 2022

For her durational performance 254 at the Neue Nationalgalerie Berlin, Ukrainian artist Maria Kulikovska laid on the steps of the museum underneath the Ukrainian flag. From one Wednesday until the next between April 27 to May 4, 2022, and commencing daily at noon, 3pm, and 5pm, she performed an hour of passive action—an active disengagement that reaffirmed the relationship between fight and flight. The performance was a re-enactment of a protest that Kulikovska originally staged in 2014 at Manifesta 10, a contemporary art biennial that took place … Read more

Dark blue book cover with a black and white photograph of artist duo KwieKulik, a standing woman holding papers over the head of a seated man

ARTMargins Online: Book Reviews

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 by Seraina Renz ·

Monitored Activities: Eastern European Performance Art through the Prisms of Photography, Film, and Politics

Corinna Kühn, Medialisierte Körper: Performances und Aktionen der Neoavantgarden Ostmitteleuropas in den 1970er Jahren (Vienna: Böhlau, 2020), 324 pp.

Corinna Kühn’s Medialisierte Körper: Performances und Aktionen der Neoavantgarden Ostmitteleuropas in den 1970er Jahren deals with selected performances and actions from Czechoslovakia, Hungary, Romania, and Poland during the 1970s. Her focus lies on the dimension of documentation through photography and video. She is interested in how artists communicated with imaginary or future spectators through the deliberate use of images or even the manipulation of techniques of filming or photographing. The book approaches the topic through detailed analyses of works by Endre

… Read more

ARTMargins Online: Interviews

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 by Zsuzsa László, Anna Zilahi ·

One on One: Interview with Anna Zilahi, Missa Echologica (2021)

 

This podcast is part of the One on One series, which presents timely encounters between ARTMargins Online editors and contemporary artists, focused on one work.  It was recorded on the occasion of the recent online release of Missa Echologica, a video piece. Zsuzsa László interviews the Hungarian artist and poet Anna Zilahi who created this work in collaboration with Laura Szári and the Varsányi Szirének feminist choir (Blanka Bolonyai, Dóra Ferenczy, Bettina Horváth, Dóra Király, Rita Szántó, Laura Szári, Diána Takács, Eszter Tóth, Virág Török, Anna Zilahi). Gergely Ofner was in charge of photography. The work was introduced … Read more

ARTMargins Online: Articles / ARTMargins Online: Artist Profiles

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 by Karolina Majewska-Güde ·

In Search of Parallel Worlds: A Portrait of Ilija Šoškić

Ilija Šoškić, born in 1935 in present-day Kosovo (then part of Yugoslavia), and raised in present-day Montenegro, became the most known representative of the Montenegrin neo-avant-garde, although the artist would never call himself that. Rejecting any nationalist aspirations of the post-Yugoslav states, he sees himself instead as a nomad or a pilgrim(I refer to the title of Šoškić’s performance Pilgrimage (Hero’s Walk), from a 1975 performance realized at the Hohenzollern Castle, in Tubingen, Germany.)—somebody constantly on the road. Nevertheless, he has returned on several occasions to Montenegro and currently is based in neighboring Croatia.

Šoškić’s actions, installations, and … Read more

Black and white cover of book with line drawing

ARTMargins Online: Book Reviews

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 by Maria Orosan-Telea ·

Circulating Images, Diverted Images, and Bodily Images in Romanian Art since 2010

Adrian Bojenoiu and Cristian Nae, eds., Romanian Contemporary Art 2010-2020: Rethinking the Image of the World: Projects and Sketches (Berlin: Hatje Cantz, 2020), 208 pp.

Defining the perpetually shifting trends of art in the present can often lead to contradictory arguments, and thus there are few bold and risky examples of efforts at historicizing artistic phenomena that are still in the course of development. At the same time, however, there seems to be an urgency to facilitating the entrance of very recent art from the countries of the former Eastern bloc into the global consciousness. This is happening not only … Read more

ARTMargins Online: Articles

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 by AGITATSIA ·

Party of the Dead: Necroaesthetics and Transformation of Political Performativity in Russia During the Pandemic

The Dead in the Dead City

On April 5, 2020, a few days after the regime of self-isolation had been implemented in Russia,(The mandatory quarantine dates vary by region. In St. Petersburg, a strict regime of self-isolation began on March 31, 2020.)the so-called deadmen — members of the St. Petersburg performance collective Party of the Dead (Kristina Bubentsova, Maria Vonogova, Maria Nelubova, Maxim Evstropov) — gathered in an apartment not far from the city center, where a corpse prop awaited them. The deadmen went out into the empty streets of the city, carrying the fake corpse (wrapped in … Read more

ARTMargins Online: Book Reviews

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 by Andrea Bátorová ·

“A Kind of Perverse Novel”: Performance Art and the Secret Services

Kata Krasznahorkai and Sylvia Sasse (eds.), Artists & Agents. Performance Art and the Secret Services (Leipzig: Spector Books, 2019), 686 pp.

What do performance artists and secret agents have in common? The editors of Artists and Agents. Performance Art and Secret Services, Kata Krasznahorkai and Sylvia Sasse, investigate the question what happens when both sides meet, taking a closer look at different aspects of the collisions that can occur during this encounter. The volume, which can be used for browsing or as a reference work, offers 600 pages worth of different perspectives on the issue, including the workings of … Read more

ARTMargins Online: Exhibition Reviews

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 by Myclef Laun ·

Are We Doomed to Suffer Discourse Over Revolution?

Steirischer Herbst 2019: The Grand Hotel Abyss, Graz, Austria, September 19 – October 13, 2019

This year’s iteration of Steirischer Herbst —the annual arts-and-theater festival held in Graz since 1968—took its title from György Lukács’s metaphor the “Grand Hotel Abyss.” Lukács, the Hungarian Marxist philosopher, aesthetician and literary critic, used the term pejoratively. The title in its original usage was aimed at the Frankfurt School’s inclination for theory over action during the interwar period. According to Lukács, the likes of Theodor Adorno, Herbert Marcuse, and Jürgen Habermas represented an intellectually decadent elite locked in a hotel only to be smashed … Read more

ARTMargins Online: Book Reviews

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 by Amy Bryzgel ·

The Art of Contestation: Performance Art in Slovakia

Andrea Bátorová, The Art of Contestation: Performative Practices in the 1960s and 1970s in Slovakia (Bratislava: Comenius University, 2019), 219pp. 

The Art of Contestation: Performative Practices in the 1960s and 1970s in Slovakia is the long-awaited English-language monograph by Andrea Bátorová, the result of her extensive research and writing on performance art.(Bátorová’s PhD dissertation was published in German as Aktionskunst in der Slowakei in den 1960er Jahren : Aktionen von Alex Mlynkárčik (Berlin, Münster, Germany: LIT Verlag, 2009).) In it, she covers the work of key artists from Slovakia’s performance scene, during the heyday of its activity: … Read more

Documentation of performance

ARTMargins Online: Interviews

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 by Margarita Delcheva ·

The Glitzy World We All Think We Want: An Interview with Zornitsa Stoyanova

Zornitsa Stoyanova is a performance artist working between the United States and Bulgaria. Currently based in Philadelphia, Stoyanova performs under the name Here[begin] Dance, and her practice involves the creation of large-scale props in front of her audience. Her work explores an amalgamation of genres, blending choreography, performance, song, and shadow play. This summer, Stoyanova took part in Etud and Friends, a dance and performance festival held in Sofia and one of a growing number of multidisciplinary events that seeks to bring together local and transnational artists and performers working in a variety of disciplines.

While Bulgaria hosts multiple dance … Read more