Tagged: performance art

Black and white cover of book with line drawing

Circulating Images, Diverted Images, and Bodily Images in Romanian art since 2010

Adrian Bojenoiu and Cristian Nae, eds., Romanian Contemporary Art 2010-2020: Rethinking the Image of the World: Projects and Sketches (Berlin: Hatje Cantz, 2020), 208 pp.

Defining the perpetually shifting trends of art in the present can often lead to contradictory arguments, and thus there are few bold and risky examples of efforts at historicizing artistic phenomena that are still in the course of development. At the same time, however, there seems to be an urgency to facilitating the entrance of very recent art from the countries of the former Eastern bloc into the global consciousness. This is happening not only … Read more

Party of the Dead: Necroaesthetics and Transformation of Political Performativity in Russia During the Pandemic

The Dead in the Dead City

On April 5, 2020, a few days after the regime of self-isolation had been implemented in Russia,(The mandatory quarantine dates vary by region. In St. Petersburg, a strict regime of self-isolation began on March 31, 2020.)the so-called deadmen — members of the St. Petersburg performance collective Party of the Dead (Kristina Bubentsova, Maria Vonogova, Maria Nelubova, Maxim Evstropov) — gathered in an apartment not far from the city center, where a corpse prop awaited them. The deadmen went out into the empty streets of the city, carrying the fake corpse (wrapped in … Read more

“A Kind of Perverse Novel”: Performance Art and the Secret Services

Kata Krasznahorkai and Sylvia Sasse (eds.), Artists & Agents. Performance Art and the Secret Services (Leipzig: Spector Books, 2019), 686 pp.

What do performance artists and secret agents have in common? The editors of Artists and Agents. Performance Art and Secret Services, Kata Krasznahorkai and Sylvia Sasse, investigate the question what happens when both sides meet, taking a closer look at different aspects of the collisions that can occur during this encounter. The volume, which can be used for browsing or as a reference work, offers 600 pages worth of different perspectives on the issue, including the workings of … Read more

Are We Doomed to Suffer Discourse Over Revolution?

Steirischer Herbst 2019: The Grand Hotel Abyss, Graz, Austria, September 19 – October 13, 2019

This year’s iteration of Steirischer Herbst —the annual arts-and-theater festival held in Graz since 1968—took its title from György Lukács’s metaphor the “Grand Hotel Abyss.” Lukács, the Hungarian Marxist philosopher, aesthetician and literary critic, used the term pejoratively. The title in its original usage was aimed at the Frankfurt School’s inclination for theory over action during the interwar period. According to Lukács, the likes of Theodor Adorno, Herbert Marcuse, and Jürgen Habermas represented an intellectually decadent elite locked in a hotel only to be smashed … Read more

The Art of Contestation: Performance Art in Slovakia

Andrea Bátorová, The Art of Contestation: Performative Practices in the 1960s and 1970s in Slovakia (Bratislava: Comenius University, 2019), 219pp. 

The Art of Contestation: Performative Practices in the 1960s and 1970s in Slovakia is the long-awaited English-language monograph by Andrea Bátorová, the result of her extensive research and writing on performance art.(Bátorová’s PhD dissertation was published in German as Aktionskunst in der Slowakei in den 1960er Jahren : Aktionen von Alex Mlynkárčik (Berlin, Münster, Germany: LIT Verlag, 2009).) In it, she covers the work of key artists from Slovakia’s performance scene, during the heyday of its activity: … Read more

Documentation of performance

The Glitzy World We All Think We Want: An Interview with Zornitsa Stoyanova

Zornitsa Stoyanova is a performance artist working between the United States and Bulgaria. Currently based in Philadelphia, Stoyanova performs under the name Here[begin] Dance, and her practice involves the creation of large-scale props in front of her audience. Her work explores an amalgamation of genres, blending choreography, performance, song, and shadow play. This summer, Stoyanova took part in Etud and Friends, a dance and performance festival held in Sofia and one of a growing number of multidisciplinary events that seeks to bring together local and transnational artists and performers working in a variety of disciplines.

While Bulgaria hosts multiple dance Read more