Tagged: museum

“Communism Never Happened”? Transformations of Art in East-Central Europe since 1989

Andrzej Szczerski, Transformation: Art in East-Central Europe since 1989. Translated by Sabina Potaczek-Jasionowicz (Kraków: Jagiellonian University Press, 2018).

The title of one of the chapters of Andrzej Szczerski’s Transformation: Art in East-Central Europe since 1989 can, curiously, summarize the entire premise of the book. The chapter in question is titled “Communism Never Happened.” This sounds paradoxical, of course. Yet the title is fitting: not because Communism is being ignored in this two-hundred-page-long, ambitious overview of art made after the collapse of the Soviet bloc, but because, for all that, it has virtually no impact on the identity of the … Read more

The Takeover: Karol Sienkiewicz on Recent Changes at Warsaw’s Center for Contemporary Art, and Beyond

In Autumn of 2015, when the right wing Law and Justice party (Prawo i Sprawiedliwość, PiS) scored a landslide victory in parliamentary elections in Poland, the Polish artworld braced for the worst. Cultural producers expected that the “good chane”—as the PiS leaders advertised their plans—would quickly permeate all the cultural institutions and sweep most of the directors within weeks, or, in most optimistic scenario, months.

Fortunately this did not happen. Unlike public television, which soon became the tube of the governing party and where the pro-government propaganda overshadowed even communist-era TV and reached the level of absurdity and Internet memes, … Read more

”Title of speech in US Congress given by a Republican George Dondero in March 1952.”

Dialogue between Yevgeniy Fiks and Thomas Sokolowski about Fiks’ recent show at the Zimmerli Art Museum

Yevgeniy Fiks calls himself a “post-Soviet” artist, thus designating his personal history of belonging to the generation that was born in the Soviet Union and came to the West after its collapse. His work can be characterized as an archival exploration of history, understood as the unearthing of facts, events, and narratives that have been forgotten or obscured by dominant ideological discourses. His first “mini-retrospective” entitled Mr. Deviant, Comrade Degenerate: Selected Works by Yevgeniy Fiks, which was on view at the Zimmerli Art Museum at Rutgers University until the end of July, focuses on three different types of nonconformism – Read more