This conversation is part of a series of interviews with artists from Eastern Europe who live and work in Berlin. The city has attracted artists from Eastern Europe for a long time: especially during the Cold War and into the 1990s, its peculiar geo-political situation provided Berlin with a unique flair that attracted artists from all over the world, but especially from the Central and Eastern parts of the continent. How do these artists experience the city today? How do they look back on the hopes and expectations with which they once arrived? Have they settled for good, or are … Read more
NEW: ARTMargins Print 11:1-2
ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 1-2.
This double issue of ARTMargins consists of two sections. First comes a special issue, edited by Sven Spieker and Tom Holert (“The Heresy of Didactic Art”), followed by a section where we offer four new research articles on topics aligned with other editorial priorities.
ARTMargins Print: Vol 11, Iss 1-2
The Heresy of Didactic Art — by Spieker S, Holert T.
14 Jun, 2022
In The Vortex of Institutional Lives — by Krauss A, Thajib F.
13 Jun, 2022
Scenes of Access, Politics of Difference — by Karambeigi P.
12 Jun, 2022
12 Jun, 2022
11 Jun, 2022
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green — by Hornyik S.
10 Jun, 2022
Hidden Green by Miklós Erdély — by Bartholyì E, Orbán K.
9 Jun, 2022
The Notebook — by García D.
8 Jun, 2022
From The Editors — by
7 Jun, 2022
6 Jun, 2022
4 Jun, 2022
Reassessing Moscow Conceptualism: The View from the Nest — by Nicholas MA.
3 Jun, 2022
Photography Against Reproduction: Željko Jerman’s My Year, 1977 — by Rounthwaite A.
2 Jun, 2022
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