In 1978, Nick Waterlow, the artistic director of the third Sydney Biennale, “European Dialogue,” visited Budapest and agreed with the Hungarian art historian, László Beke that he would put together an informative exhibition of documents and original works covering the activities of several Hungarian artists. Beke, who was by then an internationally renowned advocate of East European Conceptualisms accepted this task but avoided the burdensome role of a national consultant by involving artists not only from Hungary but also from four other socialist countries. As he stated in the catalogue, he did not attempt to make an objective representation of … Read more
Tagged: Eastern European art
László Beke, the Hungarian curator and art historian who from the late 1960s became one of the key catalysts of art networks and cross-border collaborations within and beyond Eastern Europe‚ died on January 31 of this year. He published articles, compiled publications, lectured, curated projects and exhibitions on various aspects of progressive art, including Conceptualism, photography, semiotics, Fluxus, Dada, and the post-contemporary (referring to the situation after the era of contemporary art), and, most importantly, pursued his utopian commitment to East European art. Between 1969 and 1986 he was a research fellow at the Research Institute for Art History of … Read more
Maja and Reuben Fowkes, Central and Eastern European Art since 1950 (London: Thames and Hudson, 2020), 232 pp.
When Piotr Piotrowski published his now-famous art historical surveys In the Shadow of Yalta. Art and the Avant-Garde in Eastern Europe 1945-1989 and Art and Democracy in Post-Communist Europe, the art of the region was only superficially known to broader audiences. It was mostly presented in group or solo exhibitions, and via several monographic studies, and it never acquired the kind of celebrity that ”non-conformist” art from the former Soviet Union enjoyed. In line with other theorists focused on post-colonial … Read more