ARTMargins Online (AMO) publishes interviews, essays, reviews, and podcasts that analyze postwar and contemporary art of East-Central Europe in a global setting. For more details, see the AMO Call for Papers.
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NEW: ARTMargins Print 12:3
ARTMargins Print is pleased to announce the publication of the Volume 12, Issue 3.
- ARTMargins Print 12:3 Editorial Statement
- “To Make Books Is to Multiply”: Artists’ Books and Feminist Expression in Mexico
- Revisiting Rasheed Araeen’s Structures: 8bS at Manufactured Art, 1970
- Emergency Aesthetics: The Case of the Four Faces of Omarska
- Bags of Stories: Thinking with Household Casebearers in the Anthropocene
- Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories
- Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini’s “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts” (Both 1974)
- Revolutionary Painting and the Palestinian Revolution
- Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”
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Recent Online Articles & Reviews
- Some Notes on Transnational Art History in Practice: Revolutionary Romances? Global Art Histories in the GDR at the Albertinum 04/22/2024
- Call for Papers: Central and Eastern European Artists in Interwar Metropolises 04/18/2024
- Practicing Solidarity in Slovakia: The Story of Kunsthalle Bratislava 04/15/2024
- In and Out of the Box: Leaps in East/East Dialogues Through the Transnational Activities of Constantin Flondor 04/04/2024
- Re/Opening the DAAD Archives 03/25/2024