Monthly Archive: September 2020

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Everywhere and Nowhere: Understanding Russian Constructivism through Aleksei Gan

Kristin Romberg, Gan’s Constructivism: Aesthetic Theory for an Embedded Modernism (Oakland: University of California Press, 2018), x + 297 pp.

With Gan’s Constructivism, Kristin Romberg demonstrates how to write about a figure who is at once central and marginal, everywhere and nowhere. Aleksei Gan’s contradictions, the stark contrasts between his ambitions and his absences, are manifold. He co-founded the First Working Group of Constructivists in 1921 and published Constructivism, the movement’s first theoretical treatise, in 1922, yet remains unmentioned in most histories. He commissioned Aleksandr Rodchenko to design costumes for a play that he never wrote. He directed … Read more

One on One: Stefanos Tsivopoulos and Chrisoula Lionis, Artists for Artists

The “One on One” series presents timely encounters between ARTMargins Online editors and contemporary artists, usually focused on one recent work. In this installment, Uroš Čvoro talks with interdisciplinary artist, filmmaker, and educator Stefanos Tsivopoulos and curator and cultural producer Chrisoula Lionis about Artists for Artists (AfA), an online pedagogical platform that connects leading artists with early career artists from around the world.

Uroš Čvoro: Artists for Artists (AfA) is based on three principles: artists for artists, peer-to-peer, and radical care. Can you provide a brief overview of the project, and how these ideas inform it?

Stefanos Tsivopoulos: … Read more

Explodity: Sound, Image, and Word in Russian Futurist Book Art

Nancy Perloff, Explodity: Sound, Image, and Word in Russian Futurist Book Art (Los Angeles, CA: Getty Publications, 2016), 208 pp.

In 1910, artists and writers in Russia gathered around the painter David Burliuk and the poets Velimir Khlebnikov and Vasily Kamensky to form the literary group Hylaea, one of the earliest iterations of Russian Futurism. Resistant to tradition and to ideological compromise, the Russian Futurists questioned the aesthetic focus on Western Europe and advocated a movement built on distinctly Russian sources. The group embraced chance, intuition, the irrational, and the unexpected, exploring an anarchic-revolutionary mode that celebrated art without rules. … Read more

Second World Postmodernisms: Architecture and Society Under Late Socialism

Vladimir Kulić, ed., Second World Postmodernisms: Architecture and Society Under Late Socialism (London: Bloomsbury, 2019). 260 pp.

Scholarship on architectural postmodernism perennially grapples with definitions. Postmodernism itself implies a departure from the epoch-defining decades of modern architecture: a move away from technocentric, functionalist design freighted with the promise of utopia. Certainly the reemergence of ornament and historical references, coupled with a renewed interest in context and occasional attempts at irony, constitutes an architectural movement, one contemporaneous with the onset of neoliberalism and globalization. But beyond these sketchy attributes, historians and theorists have struggled to taxonomize postmodern architecture.

Both informed and … Read more

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Some Thoughts for Siah: An Obituary for Siah Armajani

Siavash (Siah) Armajani (1939–2020), a conceptual artist best known for his civic-minded public sculptures commissioned for sites across Europe and the U.S., passed away on Thursday, August 27, 2020 from complications related to heart disease. Armajani was born to a wealthy merchant family in Tehran. He was active in political opposition circles throughout high school and college, and was forced to leave Iran in 1960 while still a student at the University of Tehran. He subsequently emigrated to the U.S. and enrolled at Macalester College in St. Paul where he continued his studies in Continental philosophy and American literature. In … Read more