Monthly Archive: August 2002

Miha Vipotnik, Gallery of the Université Saint Esprit de Kaslik (USEK) in Beirut, May 2002.

Miha Vipotnik has been a video artist, filmmaker, and commercial director in Ljubljana and Los Angeles for nearly twenty years. He was also the creator and curator of the International Video Bienniale during the 1980s, and earned MFAs in 1990 at the California Institute of the Arts and in 1979 at the Academy of Fine Arts at the University of Ljubljana. His recent works include a video installation Journey to the End of the Ends (2000), a video art piece Gazelle (2000) about the poetics … Read more

Peter Jacobi, Works 1972-1992, Romanian National Museum of Art, Bucharest, May 2002

The Romanian artist Peter Jacobi was born in 1935, and graduated from the Fine Arts Institute of Bucharest in 1961. He lived in Romania until 1970, at which point he established himself in Germany, the country where his artistic vocation has since been developing in various forms: he is a modern sculptor and photographer, concerned primarily with new media and new materials.

Until 1970, he and his wife, Ritzi Jacobi, displayed abroad at the International Tapestry Biennial from Lausanne (1969) and the Biennial from Venice (1970). After 1971, … Read more

Dangerous liaisons, City Gallery “Arsenal” Poznan, April-May 2002, curator: Izabella Kowalczyk. Artists exhibited: Artur Zmijewski, Alicja Zebrowska, Dorota Nieznalska, Zbigniew Libera, Konrad Kuzyszyn, Zofia Kulik, Katarzyna Kozyra, Grzegorz Kowalski, Grzegorz Klaman, Anna Baumgart.

In April 2002 an exhibition Dangerous liaisons was opened in City Gallery “Arsenal” in Poznan. It was thought to sum up so-called critical art – one of the most important trends in contemporary Polish art in the ’90s. Critical art is seen as having taken the lead on the Polish art scene in the ’90s and as having now given way to other tendencies (one could … Read more

Living inside the leviathan for almost twenty years now, I do have opinions about theway East European cities look, about how one dealt with their history and future and sometimes I even became a – minor – witness and/or actor in these processes. My perspective and my theoretical investigations are not however those of an anthropologist.

Therefore, instead of producing instant theories – a dear endeavor to many local intellectuals, regardless of their field of expertise – I will humbly share with the ArtMargins readers some of my gut feelings about the city, based upon my personal/subjective empirical observations. Just … Read more