Untranslating the Neo-Avant-Gardes
Content for this article is available at MIT Press. It is available as: No Access/Subscription Only . Click here for more information.
Search ARTMargins
NEW: ARTMargins Print 10:2
ARTMargins Print is pleased to announce the publication of the Volume 10, Issue 2.
ARTMargins Print: Vol 10, Issue 2
From the Editors — by The Editors
1 Jun, 2021
“None of the Art Stuff Makes Sense Anymore”: An Interview with Luis Camnitzer — by Rachel Weiss
1 Jun, 2021
“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art — by Raino Isto
1 Jun, 2021
Navigating Internationalism from Buenos Aires: The Centro de Arte y Comunicación — by Catherine Spencer
1 Jun, 2021
If You Want to Say Something—Speak in the Language of the Language: Ewa Partum’s Model of Conceptual Art — by Karolina Majewska-Güde
1 Jun, 2021
_rt movements — by Bruno Moreschi, Christopher Bratton, Dalida Maria Benfield, Gabriel Pereira, Guilherme Falcão
1 Jun, 2021
Amy Sara Carroll’s ReMex: Toward an Art History of the NAFTA Era — by Irmgard Emmelhainz
1 Jun, 2021
Introduction to Jalal AL-E Ahmad’s “To Mohassess, For the Wall” — by Mohammadreza Mirzaei
1 Jun, 2021
To Mohassess, For the Wall — by Jalal Al-e Ahmad
1 Jun, 2021
Call for Submissions
We welcome your submissions for ARTMargins Online and Print
Sign up for the AMO newsletter
Recent Online Articles & Reviews
- One on One: Interview with Anna Zilahi, Missa Echologica (2021) 12/02/2021
- Otranto – A Time-Based Monument to Albania’s 1997 Migration: A Conversation with Latent Community 11/24/2021
- In Search of Parallel Worlds: A Portrait of Ilija Šoškić 11/22/2021
- ŠTO TE NEMA – A Living Monument: An Interview with Aida Šehović 11/04/2021
- Special Issue: Contemporary Approaches to Monuments in Central and Eastern Europe 11/04/2021