Untranslating the Neo-Avant-Gardes
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NEW: ARTMargins Print 9:1
ARTMargins is pleased to announce the publication of ARTMargins Print 9:1. Nicolas C. Morgan considers the artist José Leonilson’s weekly illustrative contributions to Folha de São Paulo. Fares Chalabi describes an electronic and digital regime of visibility proper to postwar Lebanese art. John Roberts addresses the geographic and temporal unevenness and belatedness within conceptual art by looking at Moscow conceptualism in the 1970s and 1980s. Adriana Michéle Campos Johnson reviews three recent books: T.J. Demos's Decolonizing Nature: Contemporary Art and the Politics of Ecology and Against the Anthropocene: Visual Culture and Environment Today and Jens Andermann's Tierras en trance: Arte y naturaleza después del paisaje (Lands Entranced: Art and Nature after Landscape.