ŠTO TE NEMA (Where have you been?) by Bosnian-born artist Aida Šehović is an annual nomadic monument to the victims of the 1995 Srebrenica genocide that has traveled internationally to 15 different cities from 2006 to 2020. This participatory public monument, consisting of more than 8,372 fildžani (small porcelain coffee cups) that have been collected and donated by Bosnian families from all over the world, addresses issues of trauma, healing, and remembrance. The first in a series of articles that make up our Special Issue Contemporary Approaches to Monuments in Central and Eastern Europe, this interview is occasioned by Šehović’s
NEW: ARTMargins Print 11:1-2
ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 1-2.
This double issue of ARTMargins consists of two sections. First comes a special issue, edited by Sven Spieker and Tom Holert (“The Heresy of Didactic Art”), followed by a section where we offer four new research articles on topics aligned with other editorial priorities.
ARTMargins Print: Vol 11, Iss 1-2
The Heresy of Didactic Art — by Spieker S, Holert T.
14 Jun, 2022
In The Vortex of Institutional Lives — by Krauss A, Thajib F.
13 Jun, 2022
Scenes of Access, Politics of Difference — by Karambeigi P.
12 Jun, 2022
12 Jun, 2022
11 Jun, 2022
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green — by Hornyik S.
10 Jun, 2022
Hidden Green by Miklós Erdély — by Bartholyì E, Orbán K.
9 Jun, 2022
The Notebook — by García D.
8 Jun, 2022
From The Editors — by
7 Jun, 2022
6 Jun, 2022
4 Jun, 2022
Reassessing Moscow Conceptualism: The View from the Nest — by Nicholas MA.
3 Jun, 2022
Photography Against Reproduction: Željko Jerman’s My Year, 1977 — by Rounthwaite A.
2 Jun, 2022
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