Tagged: photography

The artist, a black woman with very short hair, sitting at a table against a dark background. She has a box open in front of her and appears to be reading something inside the box.

“To Me, Everything is a Space for Encounter”: Michael Laundry in Conversation with Belinda Kazeem-Kamiński

Belinda Kazeem-Kamiński is an interdisciplinary artist mainly using archival and museal material for artistic research in photography and video. Late last year, Kazeem-Kamiński received the Camera Austria Award for Contemporary Photography by the City of Graz. A solo show of her work was also recently on view at Kunsthalle Wien. While in Vienna, Michael Laundry spoke with Kazeem-Kamiński about how her work creates space to think about Black feminism, representation, and post-colonial theory. In this interview, Laundry and Kazeem-Kamiński discuss the her use of slide shows, artist books, photography, and video in the dissection of the white gaze on Black … Read more

Dark blue book cover with a black and white photograph of artist duo KwieKulik, a standing woman holding papers over the head of a seated man

Monitored Activities: Eastern European Performance Art through the Prisms of Photography, Film, and Politics

Corinna Kühn, Medialisierte Körper: Performances und Aktionen der Neoavantgarden Ostmitteleuropas in den 1970er Jahren (Vienna: Böhlau, 2020), 324 pp.

Corinna Kühn’s Medialisierte Körper: Performances und Aktionen der Neoavantgarden Ostmitteleuropas in den 1970er Jahren deals with selected performances and actions from Czechoslovakia, Hungary, Romania, and Poland during the 1970s. Her focus lies on the dimension of documentation through photography and video. She is interested in how artists communicated with imaginary or future spectators through the deliberate use of images or even the manipulation of techniques of filming or photographing. The book approaches the topic through detailed analyses of works by Endre

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Igor Grubić, Traces of Disappearing (In Three Acts) (Croatian Pavilion; Sven Spieker)

Igor Grubić, Traces of Disappearing (In Three Acts), Croatian Pavilion, 58th International Art Exhibition La Biennale di Venezia, May 11-November 24, 2019.

Igor Grubić’s long-term photographic project Traces of Disappearing (In Three Actsis a few steps down from the stately abode on the Canale Grande that is home to the Prada Foundation, where a sprawling show of the work of Jannis Kounellis is on view at the same time. The contrast between the two venues, and the works exhibited inside, could not be more striking: from the Venetian palazzo to the rough, workshop-like space with a low ceiling … Read more

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Laura Aguilar: Show and Tell at the National Museum of Mexican Art

Laura Aguilar: Show and Tell, National Museum of Mexican Art, Chicago, March 22 – August 18, 2019

Artist Laura Aguilar died of kidney failure in April 2018, shortly after her career retrospective, Show and Tell, closed at the Vincent Price Museum just outside Los Angeles. She was 59 years old. As writers and fellow artists mourned the loss, biographical references proliferated. Aguilar was obese, an auditory dyslexic, clinically depressed, Latina, mostly poor, the daughter of mixed Mexican-European-indigenous parents, a lesbian. With her photographic work, she was a champion for marginalized communities and bodies rendered invisible by mainstream art and visual … Read more