The fourteenth edition of the nomadic European biennial Manifesta took place in Prishtina, Kosovo, from July 22 to October 30, 2022. The biennial included 25 exhibition venues in an urban parcours throughout the city, ranging from (dilapidated) historic monuments and institutions to public squares, abandoned buildings, and unused or unexpected urban spaces. Four of these venues have been declared “major pillars,” namely the Grand Hotel Prishtina, The Center for Narrative Practices (a former library), an abandoned brick factory on the outskirts of the city, and the so-called Green Corridor, an unused train track that has been transformed into a walking … Read more
NEW: ARTMargins Print 11:1-2
ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 1-2.
This double issue of ARTMargins consists of two sections. First comes a special issue, edited by Sven Spieker and Tom Holert (“The Heresy of Didactic Art”), followed by a section where we offer four new research articles on topics aligned with other editorial priorities.
ARTMargins Print: Vol 11, Iss 1-2
The Heresy of Didactic Art — by Spieker S, Holert T.
14 Jun, 2022
In The Vortex of Institutional Lives — by Krauss A, Thajib F.
13 Jun, 2022
Scenes of Access, Politics of Difference — by Karambeigi P.
12 Jun, 2022
12 Jun, 2022
11 Jun, 2022
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green — by Hornyik S.
10 Jun, 2022
Hidden Green by Miklós Erdély — by Bartholyì E, Orbán K.
9 Jun, 2022
The Notebook — by García D.
8 Jun, 2022
From The Editors — by
7 Jun, 2022
6 Jun, 2022
4 Jun, 2022
Reassessing Moscow Conceptualism: The View from the Nest — by Nicholas MA.
3 Jun, 2022
Photography Against Reproduction: Željko Jerman’s My Year, 1977 — by Rounthwaite A.
2 Jun, 2022
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