How can we, in the middle of a heated debate around public monuments as highly visible and dominant bearers of history around the world, perceive the more layered and subtle aspects of commemorative practice? Reflection on anti-, counter- and performative monuments has not abated, but been absorbed in the current worldwide struggle to remove, replace, and otherwise neutralize monuments spatializing unjust power. That is all to the good, as long as we don’t forget that monuments, and artists, can do things that bear witness against impossible odds—and without erecting anything permanent. In this essay I look at several iterations of … Read more
NEW: ARTMargins Print 11:1-2
ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 1-2.
This double issue of ARTMargins consists of two sections. First comes a special issue, edited by Sven Spieker and Tom Holert (“The Heresy of Didactic Art”), followed by a section where we offer four new research articles on topics aligned with other editorial priorities.
ARTMargins Print: Vol 11, Iss 1-2
The Heresy of Didactic Art — by Spieker S, Holert T.
14 Jun, 2022
In The Vortex of Institutional Lives — by Krauss A, Thajib F.
13 Jun, 2022
Scenes of Access, Politics of Difference — by Karambeigi P.
12 Jun, 2022
12 Jun, 2022
11 Jun, 2022
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green — by Hornyik S.
10 Jun, 2022
Hidden Green by Miklós Erdély — by Bartholyì E, Orbán K.
9 Jun, 2022
The Notebook — by García D.
8 Jun, 2022
From The Editors — by
7 Jun, 2022
6 Jun, 2022
4 Jun, 2022
Reassessing Moscow Conceptualism: The View from the Nest — by Nicholas MA.
3 Jun, 2022
Photography Against Reproduction: Željko Jerman’s My Year, 1977 — by Rounthwaite A.
2 Jun, 2022
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