Tagged: book review

Black and white cover of book with line drawing

Circulating Images, Diverted Images, and Bodily Images in Romanian art since 2010

Adrian Bojenoiu and Cristian Nae, eds., Romanian Contemporary Art 2010-2020: Rethinking the Image of the World: Projects and Sketches (Berlin: Hatje Cantz, 2020), 208 pp.

Defining the perpetually shifting trends of art in the present can often lead to contradictory arguments, and thus there are few bold and risky examples of efforts at historicizing artistic phenomena that are still in the course of development. At the same time, however, there seems to be an urgency to facilitating the entrance of very recent art from the countries of the former Eastern bloc into the global consciousness. This is happening not only … Read more

cover of exhibition catalogue

Beyond the 3 Ts: Promote, Tolerate, Ban – Art and Culture in Cold War Hungary

Cristina Cuevas-Wolf and Isotta Poggi, eds., Promote, Tolerate, Ban: Art and Culture in Cold War Hungary (Getty Publications, 2018), 160 PP. 

The curators of the Getty Research Institute and The Wende Museum of the Cold War undertook a difficult task with an exhibition in Los Angeles, entitled Promote, Tolerate, Ban – Art and Culture in Cold War Hungary,(Eastern European regimes operating before 1989 were not, in fact, communist states. In my view, even the ‘state socialist’ adjective is inappropriate for the Kádár regime, especially since the mid-1960s, but the now increasingly common term ‘state capitalism’ is not yet Read more

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Central and Eastern European Art: 30 Years After the Fall

Ana Janevski and Roxana Marcoci with Ksenia Nouril (eds.), Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology (New York: The Museum of Modern Art, 2018), 408 pp.

“To give a definition of Eastern Europe is a difficult or almost impossible task” (p. 279). This observation, offered by artist Sanja Iveković in an interview featured within Art and Theory of Post-1989 Central and Eastern Europe, neatly captures the challenge that the volume sets for itself. Elsewhere within this new addition to the Museum of Modern Art’s series of critical anthologies, curator Raluca Voinea evokes the difficulties … Read more

Everything is Relevant: Ken Lum’s Writings on Art and Life 1991-2018

Ken Lum, Everything is Relevant: Writings on Art and Life 1991-2018 (Montreal: Concordia University Press, 2020), 320 pp.

Ken Lum’s collection of writings Everything is Relevant offers an insightful inquiry into the complexities of the contemporary art world from the perspective of an artist, curator, and educator who refuses to be confined by aesthetic, cultural, or professional categories. Primarily known as a conceptual artist, Lum creates works that interrogate how we assign meanings to images, texts, and objects based on cultural, racial, and social cues. Whether puzzling the beholder through incongruous visual signs or evoking overlooked historical narratives, his practice … Read more

book cover

Globalizing East European Art Histories: Past and Present

Globalizing East European Art Histories: Past and Present. Edited by Beáta Hock and Anu Allas (New York and London: Routledge, 2018), 220 pp.

It is an interesting time to be reviewing a book that calls for “globalizing” art history, when everywhere there are calls for art history to decolonize. Is there a thread between the desire to globalize the study of East European art and the demands for a broader decolonization of the discipline of art history and its institutions?(For a variety of approaches to decolonizing art history, see the questionnaire, edited by Catherine Grant and Dorothy Price, Read more

Haunted Bauhaus cover

Ghosts in the Machine: Exposing the Margins of the Bauhaus

Elizabeth Otto, Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics (Cambridge, MA: MIT Press, 2019), 280 pp.

Whilst attempts to decenter art history have frequently focused on bringing to the fore marginal movements or places, an equally useful approach is reassessing those practices symbolically located in the center. As any historian of modern design knows, it is impossible to ignore the specter of the Bauhaus hovering unnervingly over any other design institution of the interwar period, especially those belonging to the peripheries. In her new book, Elizabeth Otto turns the tables and haunts the Bauhaus itself, unravelling … Read more