Contemporary art across the evolving global peripheries
by · Published
Hand-Made Photographic Prints
The artist describes the production process:
“I pulled each picture manually out of the printer, its loud protestations notwithstanding. The rhythm of withdrawal is unrepeatable and so is each print. This procedure goes against both the printer’s instruction manual and the mass reproduction of the photographic images.” (Svetlana Boym)
C-Prints, 22″ x 17″, Signed and titled on verso.
Prices: $1200 each
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ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 3.
More Phemes — by Slavs and Tatars
1 Oct, 2022
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization — by Matthew J. Mason
1 Oct, 2022
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art — by Lara Ayad
1 Oct, 2022
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–96 — by Dorota Jagoda Michalska
1 Oct, 2022
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War — by Alberto Toscano
1 Oct, 2022
Introduction: Art’s Histories Without Art History — by Kaira Marie Cabañas
1 Oct, 2022
From the Editors — by The Editors
1 Oct, 2022
The Silence That Words Hold — by Lula Wanderley
1 Oct, 2022
Lend Me Your Eyes — by Gina Ferreira
1 Oct, 2022
The Persistence of Primitivism and the Debt Collectors — by Elizabeth Harney
1 Oct, 2022
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