Contemporary art across the evolving global peripheries
EDITOR-IN-CHIEF: Raino Isto (Tirana/New York City)
EDITORS: Amy Bryzgel (Boston), Iva Glisic (Canberra), Uroš Čvoro (Sydney), Zsuzsa László (Budapest), Susan Snodgrass (Senior Editor for Special Projects; Chicago), Sven Spieker (Founding Editor; Los Angeles/Berlin)
ADVISORY BOARD: Ksenia Nouril (Philadelphia), Pedro Erber (Tokyo)
EDITORIAL RESEARCH ASSISTANT: Camilla Salvaneschi (Aberdeen)
ART DIRECTION & IT SUPPORT: Russell Coon (Los Angeles)
SOCIAL MEDIA DIRECTOR: Ayesha Matthan
ARTMargins Print is pleased to announce the publication of the Volume 11, Issue 1-2.
This double issue of ARTMargins consists of two sections. First comes a special issue, edited by Sven Spieker and Tom Holert (“The Heresy of Didactic Art”), followed by a section where we offer four new research articles on topics aligned with other editorial priorities.
The Heresy of Didactic Art — by Spieker S, Holert T.
14 Jun, 2022
In The Vortex of Institutional Lives — by Krauss A, Thajib F.
13 Jun, 2022
Scenes of Access, Politics of Difference — by Karambeigi P.
12 Jun, 2022
Between the Personal and the Political: On Marianne Wex’s Let’s Take Back Our Space — by Rodenbeck J.
12 Jun, 2022
Learning on the Run: From Psycho-Modernism to Fugitive Sociality — by Ridlen T.
11 Jun, 2022
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green — by Hornyik S.
10 Jun, 2022
Hidden Green by Miklós Erdély — by Bartholyì E, Orbán K.
9 Jun, 2022
The Notebook — by García D.
8 Jun, 2022
From The Editors — by
7 Jun, 2022
Madness as a Form of Knowledge: Pavel Ivanovich Karpov’s Creativity of the Mentally Ill — by Jakovljević B.
6 Jun, 2022
Dreams/Cinema/Palestine: Unoccupied Spaces in The Dream and My Love Awaits Me by the Sea — by Burris G.
4 Jun, 2022
Reassessing Moscow Conceptualism: The View from the Nest — by Nicholas MA.
3 Jun, 2022
Photography Against Reproduction: Željko Jerman’s My Year, 1977 — by Rounthwaite A.
2 Jun, 2022
We welcome your submissions for ARTMargins Online and Print