Leonhard Lapin’s “Objective Art” was written for “Event Harku ’75. Objects, Concepts” – an exhibtion and an accompanying symposium on the premises of the Institute of Experimental Biology in Harku, near Tallinn, Estonia, in December 1975. Objective art, in the artist’s mind, answered to the industrialization and urbanization of the late 20th century, to the growing significance of not only mechanical but also electronic machines in everyday life, and to the emergence of the so-called artificial environment. Rather than representing this environment, new art had to intervene in it or even produce it. Lapin’s call was quite different from other reactions to the changing postindustrial environment in the mid 1970s in the Soviet Union in that instead of active intervention many of them proposed withdrawal as the most appropriate tactics to resist the grim surrounding reality.
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