Gábor Ösz
Signed Postcard by Gábor Ösz
Gábor Ösz, “The House: Project Document” 4-color printed postcard, signed and numbered on verso.
Born in 1962, Dunaújváros (Hungary)
Lives and works in Amsterdam
www.gaborosz.com
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Twenty Years of ARTMargins Online
ARTMargins Online published its first article in 1999 – twenty years ago. To mark the occasion, we put together a list of the most popular articles we have published over the course of two decades (20/20). At the same time, we proudly unveil our new website, which we hope will make it easier to access AMO’s 750-item strong archive of articles, interviews, podcasts, reviews, and other content. The site was designed by PIELAB Media (Los Angeles).
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Recent Online Articles & Reviews
- “Era ora!”: Cristina Baldacci and Marysia Lewandowska discuss Lewandowska’s It’s About Time 11/09/2019
- Parole, Parole (As a Counter-Hegemonic Gesture): Red Discussion No. 2 (Pavilion of the Republic of North Macedonia; Maja Ćirić) 11/05/2019
- From the Eastern Bloc to the Bronx: Early Acquisitions from the Art Collection 10/24/2019
- The Glitzy World We All Think We Want: An Interview with Zornitsa Stoyanova 10/21/2019
- The Matter of Art Biennale Symposium “Who are We Talking with? What Can Institutions (Un)learn from Artists?” 10/16/2019
ARTMargins Print: Vol 8, Issue 2
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Art, Institutions, and Internationalism, 1945–73 — by Chelsea Haines and Gemma Sharpe
18 Jun, 2019
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“Legacies of Internationalism”: Conference Report and Roundtable — by Chelsea Haines and Gemma Sharpe
18 Jun, 2019
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Envisioning the Third World: Modern Art and Diplomacy in Maoist China — by Yang Wang
18 Jun, 2019
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Modernism and World Art, 1950–72 — by Nikolas Drosos
18 Jun, 2019
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On Curating Postwar — by Romy Golan and Katy Siegel
18 Jun, 2019
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Southward and Otherwise — by Uroš Pajović and Naeem Mohaiemen
18 Jun, 2019
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Re-Worlding Postwar — by Rattanamol Singh Johal
18 Jun, 2019
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Introduction to José Oiticica Filho’s “Setting the Record Straighter” — by Alise Tifentale
18 Jun, 2019
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Setting The Record Straighter: Part II — by José Oiticica Filho
18 Jun, 2019