From Visible and Invisible (1953)
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NEW: ARTMargins Print 12:3
ARTMargins Print is pleased to announce the publication of the Volume 12, Issue 3.
- ARTMargins Print 12:3 Editorial Statement
- “To Make Books Is to Multiply”: Artists’ Books and Feminist Expression in Mexico
- Revisiting Rasheed Araeen’s Structures: 8bS at Manufactured Art, 1970
- Emergency Aesthetics: The Case of the Four Faces of Omarska
- Bags of Stories: Thinking with Household Casebearers in the Anthropocene
- Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories
- Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini’s “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts” (Both 1974)
- Revolutionary Painting and the Palestinian Revolution
- Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”
