Contemporary art across the evolving global peripheries
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ARTMargins is pleased to announce the publication of ARTMargins Print 9:1. Nicolas C. Morgan considers the artist José Leonilson’s weekly illustrative contributions to Folha de São Paulo. Fares Chalabi describes an electronic and digital regime of visibility proper to postwar Lebanese art. John Roberts addresses the geographic and temporal unevenness and belatedness within conceptual art by looking at Moscow conceptualism in the 1970s and 1980s. Adriana Michéle Campos Johnson reviews three recent books: T.J. Demos's Decolonizing Nature: Contemporary Art and the Politics of Ecology and Against the Anthropocene: Visual Culture and Environment Today and Jens Andermann's Tierras en trance: Arte y naturaleza después del paisaje (Lands Entranced: Art and Nature after Landscape.
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Forging a Public Sphere: José Leonilson in the Folha de São Paulo — by Nicholas C. Morgan
25 Mar, 2020
Art as Resistance in Postwar Lebanon — by Fares Chalabi
25 Mar, 2020
After Moscow Conceptualism: Reflections on the Center and Periphery and Cultural Belatedness — by John Roberts
25 Mar, 2020
Art and Our Surrounds: Emergent and Residual Languages — by Adriana Michéle Campos Johnson
25 Mar, 2020
The Material Conditions of Representation — by Daniele Genadry
25 Mar, 2020
Introduction to “A Conversation between Chinese Artists and Mexican Painter David Alfaro Siqueiros” — by Jing Cao
25 Mar, 2020
A Conversation between Chinese Artists and Mexican Painter David Alfaro Siqueiros — by Feng Xiangsheng
25 Mar, 2020